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Among others we find a contemporary Tiziano Vecelli, who is a lawyer of note concerned in the administration of Cadore, keeping up a kind of obsequious friendship with his famous cousin at Venice. The Tizianello who, in 1622, dedicated to the Countess of Arundel an anonymous Life of Titian known as Tizianello's Anonimo, and died at Venice in 1650, was Titian's cousin thrice removed.
The name of this illustrious painter was Tiziano Vecellio or Vecelli, and he is called by the Italians, Tiziano Vecellio da Cadore. He was descended of a noble family; born at the castle of Cadore in the Friuli in 1477, and died in 1576, according to Ridolfi; though Vasari and Sandrart place his birth in 1480. Lanzi says he died in 1576, aged 99 years.
Now, when it had been ordained by the Senate that Jacopo Tintoretto and Paolo Veronese, at that time young men of great promise, should each execute a scene in the Hall of the Great Council, and Orazio, the son of Tiziano, another, Tintoretto painted in his scene Frederick Barbarossa being crowned by the Pope, depicting there a most beautiful building, and about the Pontiff a great number of Cardinals and Venetian gentlemen, all portrayed from life, and at the foot the Pope's chapel of music.
He was the friend of the painter Giorgione da Castelfranco, Tiziano da Cadore, and Giulio Romano, and most affectionate towards all the men of art in general; and to this I can bear witness, for on the two occasions when I was at Ferrara in his time I received from him innumerable favours and courtesies.
Francesco Maria della Rovere Titian and Eleonora Gonzaga The "Venus with the Shell" Titian's later ideals The "Venus of Urbino" The "Bella di Tiziano" The "Twelve Cæsars" Titian and Pordenone The "Battle of Cadore" Portraits of the Master by himself The "Presentation in the Temple" The "Allocation" of Madrid The Ceiling Pictures of Santo Spirito First Meeting with Pope Paul III. The "Ecce Homo" of Vienna "Christ with the Pilgrims at Emmaus."
It is true that in that great space there are included only three pictures painted in oils, each of ten braccia, which were painted by the old Tiziano; whereas many more could have gone there, with a richer, more beautiful, and better proportioned arrangement of compartments, which would have made that hall more cheerful, handsome, and ornate; but in every other part it has been made with much judgment.
The Pascale students took it up, and once came in collision with that Tiziano of Cadore, who they say broke a boat-hook over the head of one of them who had spoken ill of the Master. But this did not silence the talk, and one dark night, when the air was full of flying mist, one of Pascale's students came to me and told me that he wanted me to take a party over to Murano.
In this picture, among other things, is a horse in foreshortening, leaping over a soldier in armour, which is most beautiful; but some declare that Orazio was assisted in the work by his father Tiziano.
Nor did Lorenzo Lotto, the pupil of Alvise Vivarini, escape the authority of that serene and perfect work, whose beauty lingered so quietly over the youth of the greatest painter of Italy, Tiziano Vecelli: his Holy Family seems to be a work of Giorgione himself almost, that has suffered some change; that change was Lotto.
They do the work there today just exactly as they did four hundred years ago, when little Tiziano Vecellio came down from Cadore and worked, getting his ears pinched when he got sleepy, or carelessly put in the red glass when he should have used the blue.
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