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Then the Turners and Constables came to France, and they begot Troyon, and Troyon begot Millet, Courbet, Corot, and Rousseau, and these in turn begot Degas, Pissarro, Madame Morizot, and Guillaumin. Degas is a pupil of Ingres, but he applies the marvellous acuteness of drawing he learned from his master to delineating the humblest aspects of modern life.

Lady Butler, however, thought she could do more than to sentimentalise with De Neuville's soldiers. She adopted his method, and from this same standpoint tried to do better; her attitude towards him was the same as Rosa Bonheur's towards Troyon; and the failure of Lady Butler was even greater than Rosa Bonheur's.

Let him who thinks that fine public picture galleries are confined to Europe go to the Metropolitan Museum of Art, with its treasures by Rembrandt and Rubens, Holbein and Van Dyck, Frans Hals and Teniers, Reynolds and Hogarth, Meissonier and Detaille, Rosa Bonheur and Troyon, Corot and Breton.

Born at Bordeaux in 1827, Lalanne died in 1886. Strangely enough, illustrator as he was, his transpositions into black and white of subjects by Troyon, Ruysdael, Crome, Constable, and many others are not so striking either in actual technique or individual grasp as his original pieces. Constable, for instance, is thin, diffuse, and without richness. Mezzotinted by the hands of such a man as Lucas, we recognise the real medium for translating the English painter. A master of the limpid line, Lalanne shows you a huddled bit of Amsterdam or a distant view of Bordeaux, or that delicious prospect taken on a spot somewhere below the Pont Saint-Michel, with the Pont Neuf and the Louvre in the background. He had a feeling for those formal gardens which have captured within their enclosure a moiety of nature's unstudied ease. The plate called Aux Environs de Paris reveals this. And what slightly melancholy tenderness there is in Le Canal

General Sarrail's army, fighting a losing game, showed marvelous stubbornness and gameness, but even so, it could not resist being pushed south of Fort Troyon, itself unable to support the battering it might expect to receive when the German siege guns should be brought into place. At every point but one the Germans had a right to deem the day successful.

Four days later, September 24, the real attack was made fifteen miles south of Troyon, on the village of St. Mihiel. The object of Von Strantz was to break through the Verdun-Toul line, to inclose Sarrail from the south and at Revigny link arms with the Crown Prince. They then would have had the army of Sarrail surrounded.

That wistful shadow of his memories, that cowering Marcel of the so-dead yesterday in acute terror of the hand of Madame Troyon, had never stolen down that corridor more quietly: yet Lanyard had taken not five paces from his door when that other opened, at the far end, and Lucia Bannon stepped out.

Some of these marks are so clear and regular that Troyon, noticing the way they curve, was able to assert that the buts were circular, and that they varied in diameter from ten to fifteen feet. In the midst of a peat-bog rises a but known as a KNUPPELBAU, which is supposed to date from the Stone age.

The banks of the Aisne were cleared, some progress was made up the slopes, and from Troyon, where the original line was nearly on the ridge, an advance was made along it. But on the whole the Germans maintained their grip on the Chemin des Dames. Nor was fortune much kinder in the gap between it and the heights east of Reims.

Ingres was born in 1780, Gericault in 1791, Corot in 1796, Delacroix in 1798, Diaz in 1809, Dupre in 1812, Rousseau in 1812, Jacques in 1813, Meissonier in 1815, Millet in 1815, Troyon in 1816, Daubigny in 1817, Courbet in 1819, Fromentin in 1820, Monticelli in 1824, Puvis de Chavannes in 1824, Cabanel in 1825, Hervier in 1827, Vollon in 1833, Manet in 1833, Degas in 1834.