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When I play Bach I do it reverentially; a definite spiritual quality in my tone and expression is the result. And to select a composer who in many ways is Bach's exact opposite, Wieniawski, a certain audacious brilliancy cannot help but make itself felt tonally, if this music is to be played in character. The mental and spiritual attitude directly influences its own mechanical transmission.
In the concluding bar, but one, Chopin has in the F major Prelude attempted a most audacious feat in harmony. An E flat in the bass of the third group of sixteenths leaves the whole composition floating enigmatically in thin air. It deliciously colors the close, leaving a sense of suspense, of anticipation which is not tonally realized, for the succeeding number is in a widely divorced key.
Mildenburg played it as a mixture of Lady Macbeth and Queen Gertrude, Hamlet's mother. And when she sang fortissimo all the Strauss horses and all the Strauss men were as supine, tonally speaking, as Humpty Dumpty. Her voice is of a sultry tonal splendour. The two new opera-houses also theatres are set in a park, as should be art and opera houses.
War in this century is a confession, as suicide is a confession, as every act of blood and rage is a confession, of the triumph of the animal in the human mind.... If you received letters from friends in England or Germany or France during the war friends whom formerly you admired for their culture and acumen you were struck by the dulness and misery of the communications, the uncentred points of view, the incapacity of human vision in the midst of the heaviness and blackness of life there; if, indeed, you read the newspapers and periodicals of those countries, you required no further proof of the fact that a nation at war is an obscene nation, its consciousness all driven down into the physical, its voice tonally imperfect from hate and fear, its eyes open to red illusion and not to truth.
But if it is meant to badinage, it is no sport for the pianist of everyday technical attainments. This is formed of two studies. In the right hand is the G flat study, op. 25, No. 9, and in the left the black key study, op. 10, No. 5. The two go laughing through the world like old friends; brother and sister they are tonally, trailing behind them a cloud of iridescent glory.
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