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"I know that tune," he said, gazing at Dorothy in a sort of huge wonderment. "But I never knowed all that you made it say." He rose and shuffled to the doorway, stopping abruptly as he saw Bondsman. Could it be possible that Bondsman had not recognized his own tune? Bud shook his head. There was something wrong somewhere. Bondsman had not offered to come in and accompany the pianist.

Satter, the pianist, and would we might add Otto Dresel, will give series of concerts in the pleasant Chickering Saloon, that holds two hundred. Alas! we may be disappointed there. The Masonic Temple has been sold to the government for a United States Court-house. Think of the musical associations that haunt and consecrate the place, and think of the uses to which it may soon be put!

"Monsieur de Cymier is coming to our house on Saturday evening, and I must get up a Spanish song that Madame Strahlberg has taught me, to charm his ears and those of other people. Oh! I can do it very well. Won't you come and hear me play the castanets, if Monsieur Enguerrand can spare you? There is a young Polish pianist who is to play our accompaniment.

During Thalberg's first visit to America he had an active and dangerous rival in the young and brilliant pianist, Louis Moreau Gottschalk, who was as fresh to New York audiences as Thalberg himself, though the latter had the advantage over his young competitor in a fame which was almost world-wide.

One cannot say that their original beauty has been enhanced, but he has made them wonderfully fascinating compositions despite their aggravating complications for the student. "The day when the show of startling technical skill was sufficient to make a reputation for a pianist is, fortunately, past. The mechanical playing devices have possibly been responsible for this.

At the end of March the great Polish pianist, Ignace Paderewski, paid a visit to London on behalf of the suffering Poles and his efforts resulted in the formation of an influential relief committee.

Just look at my hands if you doubt my word." Aghast, the organist examined the shapely hands before him. Without peradventure of a doubt they were those of a pianist, an expert pianist, and one who had studied assiduously. He was stupefied. A burglar and a pianist! What next? Mr. Blastion continued his edifying remarks: "Yes, I studied very hard.

In all of brilliant Paris there was no more charming and gifted circle than that which gathered around the young Polish pianist and composer, Chopin, then a recent arrival in the gay city.

The photograph represented a young man with a poetic necktie and untrammelled hair, leaning negligently against a Gothic chair-back, a roll of music in his hand; and beneath was scrawled a bar of Chopin, with the words: " Adieu, Adele." The portrait was that of the great pianist, Fortune Dolbrowski; and its presence on the wall of Mr.

The reader may perhaps be interested in what a writer in the Gazette Musicale said about Chopin's favourite pupil on March 24, 1844: M. Gutmann is a pianist with a neat but somewhat cold style of playing; he has what one calls fingers, and uses them with much dexterity. His manner of proceeding is rather that of Thalberg than of the clever professor who has given him lessons.