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It must be remembered that there was no cleft in nationality or in language between governor and governed. He was not a foreigner set over them. He was one of them raised to a high position. There was then no French element in Lower Alsace. It was then German pure and simple. [Footnote 1: Gachard, Doc. inéd., i., 204-209. "Relation de l'assemblée solennelle tenue

Her small hand trembled in his as the words of the nuptial service were pronounced, but her eyes spoke volumes of love and trust. Then each sought a prie-dieu and knelt to pray, while the service went on and from the choir rang the beautiful tones of the Messe Solennelle. The voices softened with the Agnus Dei, then faded into silence.

I quote a few words; though even in them the spirit in which the whole book is conceived does not fail to make itself felt: L'heure ou une creation nouvelle recoit son nom est solennelle; car le nom est le signe definitif de l'existence. C'est par le nom qu'un etre individuel ou collectif devient lui-meme, et sort d'un autre.

When these ceased and finally died away, the great organ and a band of brass instruments took up Schubert's funeral march, booming sonorously; and changed to Beethoven's funeral march with a clash of cymbals in the orchestral accompaniment. A third march being required, owing to the time needed by the procession to reach the Abbey, "Marche Solennelle" was played.

With this last great effort Rossini, at the age of thirty-seven, may be said to have retired from the field of music, though his life was prolonged for forty years. True, he composed the "Stabat Mater" and the "Messe Solennelle," but neither of these added to the reputation won in his previous career.

Finally the Prince of Wales, the Duke of York and other pall-bearers defiled past the grave, took a last view of the coffin in the deep grave, and when they had been escorted down the nave to entrance, the people slowly departed. The "Dead March" from "Saul" and the "Marche Solennelle" of Schubert was played as the congregation slowly wended its way out of the sacred edifice.

Bluebell sat down to the piano and executed a selection from Rossini's 'Messe Solennelle' with force and fervour. "You play very well, child," said Miss Opie. "That is fortunate," said Bluebell, "for I mean to be a governess." "You mean you want a governess," retorted the other. "Why, what in the world do you know?" "More than most children of ten years old. I might get a hundred dollars a year.

Of the women who have attempted large choral works, there are several besides those already mentioned. Baroness Bertha von Bruckenthal has received high praise for her "Grand Messe Solennelle," and for some four-voiced numbers with organ accompaniment. She has also written pieces for violin, 'cello, voice, and piano.

Rossini adores Alboni, but deplores her want of confidence in herself. She has such stage frights that she swears that she will have to leave the stage. He has written "La Messe solennelle" for her voice. The "Agnus Dei" is perfectly wonderful. She sang it after I had sung. If she had been first, I never should have had the courage to open my mouth.