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The dates of the composition of his principal works are: "Serenade for Wind Instruments," Opus 7, 1882-83; "Eight Songs," Opus 10, 1882-83; "Aus Italien," Opus 16, 1886; "Don Juan," Opus 20, 1888; "Tod und Verklärung," Opus 24, 1889; "Four Songs," Opus 27, 1892-93; "Till Eulenspiegel's Lustige Streiche," Opus 28, 1894-95; "Three Songs," Opus 29, 1894-95; "Also Sprach Zarathustra," Opus 30, 1894-95; "Don Quixote," Opus 35, 1897; "Ein Heldenleben," Opus 40, 1898; "Feuersnot," Opus 50, 1900-01; "Taillefer," Opus 52, 1903; "Sinfonia Domestica," Opus 53, 1903; "Salome," Opus 54, 1904-05; "Elektra," Opus 58, 1906-08; "Der Rosenkavalier," Opus 59, 1909-10; "Ariadne auf Naxos," Opus 60, 1911-12; "Josef's Legende," 1913; "Eine Alpensymphonie," 1914-15; "Die Frau ohne Schatten," 1915-17.
Desiree shook hands with Louis in an odd silence, and, turning on her heel, followed the woman out of the room without looking back. Wo viel Licht ist, ist starker Schatten.
Heyer, Das Verhalten der Waldbaume gegen Licht und Schatten, 1852. Staring, De Bodem van Nederland, 1856, i., pp. 120-200. Vaupell, De Danske Skove, 1863. Knorr, Studien uber die Buchen-Wirthschaft, 1863. Another evil, sometimes of serious magnitude, which attends the operations of the lumberman, is the injury to the banks of rivers from the practice of floating.
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