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If we had known what Milton knew, namely, to how large an extent 'Paradise Lost' was not the child of his own imagination, and therefore not so precious in his eyes as 'Paradise Regained, we might have understood his prejudice. Certain parts of 'Paradise Lost' are drawn, as we all know, from other Italian sources, from Sannazario, Ariosto, Guarini, Bojardo, and others.
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