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Honestly speaking, if you and your charming wife are intimate friends and admirers of Mademoiselle Cicogna, I think you could not do her a greater service than that of detaching her from all connection with men like M. Rameau, and journals like La Sens Commun."
Louvier here turned to address himself to Colonel Morley, but finding that degenerate son of America indisposed to get cent. per cent. for his money when offered by a Parisian, he very soon took his leave. The other visitors followed his example, except Rameau, who was left alone with the Venosta and Isaura.
He refuses me the dearest of woman's rights. I can't make him jealous." "You may have the opportunity of knowing this ci-devant Lovelace very soon," said Rameau, "for he has begged me to present him to Mademoiselle Cicogna, and I will ask her permission to do so, on Thursday evening when she receives." Isaura, who had hitherto attended very listlessly to the conversation, bowed assent.
The stiff and stilted works of Sully and Rameau had thus far ruled the French stage without any competition, except from the Italian operettas performed by the company of Les Bouffons, and the new school of French operatic comedy developed into form by the lively genius of Grétry.
It may not, perhaps, be unseasonable to remind you that, from twenty to twenty-five years ago, when the old operas of LULLI and RAMEAU were laid aside, and replaced by modern works, two parties were formed, which, from the name of the musician that each adopted, were called, the one, Gluckists; and the other, Piccinists.
Pierre Firmin was apparently a nom de plume; if not, his identity must be proved, or Rameau would pay the penalty which his contributor seemed bent on incurring.
So that to other motives of love he might add the prudential one of interest. Rameau well knew that his own vein of composition, however lauded by the cliques, and however unrivalled in his own eyes, was not one that brings much profit in the market. He compared himself to those poets who are too far in advance of their time to be quite as sure of bread and cheese as they are of immortal fame.
Upon this single word I shut myself up in my apartment; and in three weeks produced, in the place of Tasso, another act, the subject of which was Hesiod inspired by the muses. In this I found the secret of introducing a part of the history of my talents, and of the jealousy with which Rameau had been pleased to honor me.
Authorized by M. de Voltaire, and not under the necessity of giving myself the least concern about M. Rameau, who endeavored to injure me, I set to work, and in two months my undertaking was finished. With respect to the poetry, it was confined to a mere trifle; I aimed at nothing more than to prevent the difference of style from being perceived, and had the vanity to think I had succeeded.
While we were fighting in Italy, they were singing in France: the operas of Rameau began to make a noise there, and once more raise the credit of his theoretic works, which, from their obscurity, were within the compass of very few understandings. By chance I heard of his 'Treatise on Harmony', and had no rest till I purchased it.
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