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To them rushes in Publius, who has been warned by friend Galba of the near approach of Nattalis and a guard, to seize Lucia for disreputable Nero: no possible escape, and all urge Lucia to imitate Virginia, Lucretia, and others of like Dian fame, by cowardly self-murder; she is high-principled, and won't: then they the father and lover request leave to kill her; conflicting passions and considerable stage effect; Lucia, who with calm courage derides the dastard sacrifice, standing unharmed between those loving thirsty swords: in a grand speech, she makes her quiet departure a test of Manlius' love, and her ultimate deliverance to be a proof to him that her God is the true God, the God who guards the innocent.
Nero alone with Nattalis by imperial command; his momentary compunction nullified by the wily Iago, who turns off the subject smoothly to a new object of desire: Publius was the only senator not in his place, and Publius has a daughter, the fairest in Rome, Lucia had not the emperor noticed her among Agrippina's women?
Meanwhile, at the other side, Manlius has killed Nattalis for his treachery, cut the bonds of Publius and Lucia, and all ends in moral justice for the triumph of good, and the defeat of evil; Manlius and Lucia, hand in hand, Publius with white head and upraised hands blessing them, Nero, a mangled corpse, Nattalis in his dying agonies persecuted by the vindictive Rufa, and Galba hailed as Cæsar by the assembled Romans.
Meanwhile, at the other side, Manlius has killed Nattalis for his treachery, cut the bonds of Publius and Lucia, and all ends in moral justice for the triumph of good, and the defeat of evil; Manlius and Lucia, hand in hand, Publius with white head and upraised hands blessing them, Nero, a mangled corpse, Nattalis in his dying agonies persecuted by the vindictive Rufa, and Galba hailed as Cæsar by the assembled Romans.
Nattalis, alone for a minute, betrays his own selfish schemes concerning Lucia, who had refused him before, and alludes to his secret reasons for urging on the maddened Nero to the worst excesses.
To them rushes in Publius, who has been warned by friend Galba of the near approach of Nattalis and a guard, to seize Lucia for disreputable Nero: no possible escape, and all urge Lucia to imitate Virginia, Lucretia, and others of like Dian fame, by cowardly self-murder; she is high-principled, and won't: then they the father and lover request leave to kill her; conflicting passions and considerable stage effect; Lucia, who with calm courage derides the dastard sacrifice, standing unharmed between those loving thirsty swords: in a grand speech, she makes her quiet departure a test of Manlius' love, and her ultimate deliverance to be a proof to him that her God is the true God, the God who guards the innocent.
Rufa, a haggard old sibyl, with both private and public reasons for detesting Nero and Nattalis: and all the fitting female attendants to conclude the list. Each scene, in which each act will be included, should be pictorially, so to speak, a tableau in the commencement, and a tableau of situation in the end. Let us draw up upon scene the first.
Nero alone with Nattalis by imperial command; his momentary compunction nullified by the wily Iago, who turns off the subject smoothly to a new object of desire: Publius was the only senator not in his place, and Publius has a daughter, the fairest in Rome, Lucia had not the emperor noticed her among Agrippina's women?
Nattalis, alone for a minute, betrays his own selfish schemes concerning Lucia, who had refused him before, and alludes to his secret reasons for urging on the maddened Nero to the worst excesses.
Rufa, a haggard old sibyl, with both private and public reasons for detesting Nero and Nattalis: and all the fitting female attendants to conclude the list. Each scene, in which each act will be included, should be pictorially, so to speak, a tableau in the commencement, and a tableau of situation in the end. Let us draw up upon scene the first.
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