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Then, lower down, "A Young Girl with a Canary," by Metzu; a "Kermesse," by Braurver, a perfect treasure, glitter, like the gems they are, in the midst of panoplies, between the high branches of palm-trees planted in enormous delft vases. A mysterious light filters into that fresh and picturesque apartment through the stained-glass windows.
Then, lower down, "A Young Girl with a Canary," by Metzu; a "Kermesse," by Braurver, a perfect treasure, glitter, like the gems they are, in the midst of panoplies, between the high branches of palm-trees planted in enormous delft vases. A mysterious light filters into that fresh and picturesque apartment through the stained-glass windows.
Of the works of Reubens there are, 30; of Vandyck, 18; of Rembrandt, 15; of Paul Potter, 3; of David Teniers, jun., 24; of Philip Wouvermans, 52; of Adrian Ostade, 6; of Gerard Douw, 16; of Francis Mieris, 14; of Gabriel Metzu, 6; of Berghem, 9; of Adrian van de Velde, 5; of Ruysdael, 13; and others by the Dutch masters.
He admired not only the decoration, the gilding, the carving, in the most expensive Pompadour style, as it is called, and the magnificent brocades, all of which any enriched tradesman could have procured for money; but he also noted such treasures as only princes can select and find, can pay for and give away; two pictures by Greuze, two by Watteau, two heads by Vandyck, two landscapes by Ruysdael, and two by le Guaspre, a Rembrandt, a Holbein, a Murillo, and a Titian, two paintings, by Teniers, and a pair by Metzu, a Van Huysum, and an Abraham Mignon in short, two hundred thousand francs' worth of pictures superbly framed.
Yet Bridget and Elia live in our own times: she, full of kindness to all, and of soothings to Elia especially; he, no less kind and consoling to Bridget, in all simplicity holding converse with the world, and, ever and anon, giving us scenes that Metzu and De Foe would admire, and portraits that Deuner and Hogarth would rise from their graves to paint. London Magazine, March, 1821.
I went through the pictures with the catalogue while the master of ceremonies was making up the number of pall-bearers, and found that eight of those indicated as works of capital importance by M. Pons had disappeared, and eight paintings of no special merit, and without numbers, were there instead.... And finally, one was missing altogether, a little panel-painting by Metzu, described in the catalogue as a masterpiece."
Again he asked counsel of Schinner, this time adding Bridau to the invitation. The two painters saw in three of these pictures a servile imitation of Dutch landscapes and interiors by Metzu, in the fourth a copy of Rembrandt's "Lesson of Anatomy." "Still imitating!" said Schinner. "Ah! Fougeres can't manage to be original." "You ought to do something else than painting," said Bridau.
He is said to have treated 'very simple subjects with naïve homeliness and kindly humour. His pictures are 'well lit, with deep warm harmony, and a vigorous touch. 'The Idle Servant-maid, in the National Gallery, is a masterpiece. Metzu, like Terburg, is par excellence one of the two painters of Dutch high life. Metzu was born in 1615, and is known to have been alive in 1667.
Then, lower down, "A Young Girl with a Canary," by Metzu; a "Kermesse," by Braurver, a perfect treasure, glitter, like the gems they are, in the midst of panoplies, between the high branches of palm-trees planted in enormous delft vases. A mysterious light filters into that fresh and picturesque apartment through the stained-glass windows.
There are twenty-three Terburgs in England and Scotland. Caspar Netcher, born in 1639, died in 1684. He formed himself upon Metzu and Terburg. He is the great Dutch painter of childhood. His finest works are in the Dresden Gallery. In the National Gallery is his 'Children blowing Bubbles. Ferdinand Bol was born at Dordrecht in 1611, and died at Amsterdam in 1680.
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