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"Come, that'll do, you can go," said Stepan Arkadyevitch, blushing suddenly. "Well now, do dress me." He turned to Matvey and threw off his dressing-gown decisively. Matvey was already holding up the shirt like a horse's collar, and, blowing off some invisible speck, he slipped it with obvious pleasure over the well-groomed body of his master.

He has hardly described the circle when he is already itching to go up to the village to drink tea, lounge about, and babble. . . "I'll be back directly," he says, lighting his cigarette, "and meanwhile you had better bring something to sit on and sweep up, instead of standing there counting the crows." Matvey is left alone. The air is grey and harsh but still.

Matvey puffs and groans. The work is not easy. The ice is firm and thick; and he has to break it and at once take the pieces away that the open space may not be blocked up. But, hard as the work is and senseless as Seryozhka's commands are, by three o'clock there is a large circle of dark water in the Bystryanka. "It was better last year," says Seryozhka angrily. "You can't do even that!

When spring comes, the mother and daughter go to the church, and, after praying at the grave of their dead, they go begging on the highway. In "The Murder" Tchekoff studies certain manifestations in the spiritual life of the peasants. Matvey Terekof belongs to a peasant family the members of which are all known for their piety; in the village they are called "the singing boys."

Stepan Arkadyevitch was already washed and combed and ready to be dressed, when Matvey, stepping deliberately in his creaky boots, came back into the room with the telegram in his hand. The barber had gone. "Darya Alexandrovna told me to inform you that she is going away.

He knew there was no deceiving anyone by this, but to move, to do something, to be active, was not as agonizing as to sit still and wait. He called Dashutka, and with her carried Matvey out. Aglaia stayed behind to clean up the kitchen. When Yakov and Dashutka turned back they were detained at the railway crossing by the barrier being let down.

"A Confession" is the story of a restless soul who untiringly searches for the God of truth and goodness. Found as a child in a village of central Russia, Matvey was first taken by a sacristan, and, after his death, by Titov, the inspector of the domain. In order to debase Matvey, whose superiority irritates him, Titov asks him to participate in his extortions.

He had decided to take him to the forest of Limarovo, and to leave him there on the road, and then he would tell everyone that Matvey had gone off to Vedenyapino and had not come back, and then everyone would think that he had been killed by someone on the road.

In order to escape from the tedium of it, she listens to the interesting experiences of the wandering life of the porter Sazanov, and gives her unfaithful love in exchange. Unexpected circumstances disclose this shameful adultery to Matvey. Instead of revealing it to his father, he generously guards the secret.

On the table, which was draped to the floor, stood an ikon of the Annunciation, and close by a cyprus-wood cross and the censer; wax candles were burning. Beside the table was a reading desk. As he passed by the prayer-room, Matvey stopped and glanced in at the door.