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Even in the stage version there is quite too much of rant and fustian. The Mannheimers took but little interest in 'Fiesco, it was too erudite for them, as Schiller explained to Reinwald some months later. Republican liberty, he went on to say, was in that region a sound without meaning; there was no Roman blood in the veins of the Pfaelzer.

Countess la Rose sends her compliments to you and my sister, so do all the Cannabichs and both Wendling families, Ramm, Eck father and son, Becke, and Herr del Prato, who happens to be with me. Yesterday Count Seeau presented me to the Elector, who was very gracious. If you were to speak to Count Seeau now, you would scarcely recognize him, so completely have the Mannheimers transformed him.

Even Schwan, who was delighted with 'Louise Miller' from the first and readily undertook to publish it, described its author as an executioner. This time the Mannheimers had no difficulty of comprehension and they gave their applause unstintingly. After the great scene in the second act they rose and cheered vociferously, whereat Schiller bowed and felt very happy.

For this withdrawal of the light of their ruler's countenance the Mannheimers were compensated in a measure by the establishment among them of a so-called National Theater. There was no German nation at the time, but there was a very general interest in the German drama. Lessing's famous experiment at Hamburg, though it turned out badly, had set people thinking.