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The fluted columns not only resembled, but seemed copied from the fluted stems beneath which I had ridden in the primeval woods; their bases, their capitals, seemed copied from the bulgings at the collar of the root, and at the spring of the boughs, produced by a check of the redundant sap; and were garlanded often enough, like the capitals of the columns, with delicate tracery of parasite leaves and flowers; the mouldings of the arches seemed copied from the parallel bundles of the curving bamboo shoots; and even the flatter roof of the nave and transepts had its antitype in that highest level of the forest aisles where the trees, having climbed at last to the light-food which they seek, care no longer to grow upward, but spread out in huge limbs, almost horizontal, reminding the eye of the four-centred arch which marks the period of perpendicular Gothic.
Once inside, 'you cannot see the wood for the trees. You can only wander on as far as you dare, letting each object impress itself on your mind as it may, and carrying away a confused recollection of innumerable perpendicular lines, all straining upwards, in fierce competition, towards the light-food far above; and next of a green cloud, or rather mist, which hovers round your head, and rises, thickening and thickening to an unknown height.
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