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The four lantern arches have the flattened shape of the latest Gothic; but, oddly enough, the variety here chosen is the English four-centred arch, not the usual French shape, three-centred, elliptic, or actually flat-headed. But both the English and the French form are quite unsuited for pier-arches, and for lantern arches yet more.

A four-centred Tudor arch was over the entrance, and over the arch the signboard, now visible in the rays of an opposite lamp. Hereon the Mariners, who had been represented by the artist as persons of two dimensions only in other words, flat as a shadow were standing in a row in paralyzed attitudes.

But the side piers were Perpendicular, and the transverse arches of the ribs four-centred, as in late Perpendicular work.

The high ellipse, I believe, exists in eastern architecture. XXXIII., to be described hereafter: with such caprices we are not here concerned. § XVI. We are, however, concerned to notice the absurdity of another form of arch, which, with the four-centred, belongs to the English perpendicular Gothic.

But within there was plenty of light to see by, as plenty was construed at Hintock. Beside a Tudor fireplace, whose moulded four-centred arch was nearly hidden by a figured blue-cloth blower, were seated two women mother and daughter Mrs. Hall, and Sarah, or Sally; for this was a part of the world where the latter modification had not as yet been effaced as a vulgarity by the march of intellect.

The easternmost of these windows is of two lights, and has a transom in the tracery, and the westernmost is shortened to allow of a doorway of four-centred form beneath. Below the sills runs a string-course, which rises to pass over the door.

The idea was to have tea there an indulgence for which Emily clamoured, being half choked with chalky dust; but the house was so singularly beautiful and interesting that it seemed a crime not to sleep in it. The front is a gorgeous mass of carved panelling; in the middle rises a four-centred gateway, and on the left is a marvel of a bow window, with a bay for every story.

§ XI. Many architects, especially the worst, have been very curious in designing out of the way arches, elliptical arches, and four-centred arches, so called, and other singularities. The good architects have generally been content, and we for the present will be so, with God's arch, the arch of the rainbow and of the apparent heaven, and which the sun shapes for us as it sets and rises.

I believe that singular and complicated curves are made use of in modern engineering, but with these the general reader can have no concern: the Ponte della Trinita at Florence is the most graceful instance I know of such structure; the arch made use of being very subtle, and approximating to the low ellipse; for which, in common work, a barbarous pointed arch, called four-centred, and composed of bits of circles, is substituted by the English builders.

The Deanery Gateway, at the north-eastern corner of the close is a fine specimen of architecture. In the spandrels above the great four-centred arch are two coats of arms, one with the keys and crosslets, the other with swords and crosses. These are now the arms of the See and the Cathedral respectively: but it is difficult to say what was their special significance when this gate was erected.