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John Murray's possession, are sufficiently grim. The engravings, lacking the relief of colour, are even more so, and a rapid survey of the entire series amply shows how largely in Crabbe's subjects bulks the element of human misery. Crabbe was much flattered by this new tribute to his reputation, and dwells on it in one of his letters to Mrs. Leadbeater. A letter written from Mrs.

Leadbeater, the Quaker lady who lived at Ballitore, whose father had been tutor to Edmund Burke, and whose Letters have been published, wrote to Maria this year, asking her advice about a book she had written, Cottage Dialogues, and sent the MS. to her. Mr. Edgeworth was so much pleased with it, that Maria offered, at Mr.

But both she and Mr Leadbeater were as absolutely unsuccessful as less gifted mortals proved to be. In spite of exceptional opportunities for coming in touch with the most noted psychics, in spite of the valuable clue given by hair cut after death, the test seemed quite hopeless, since twelve of the best clairvoyants had been consulted, and all had failed in turn.

Leadbeater inquired of him whether the characters in his various poems were drawn from life, he replied: "Yes, I will tell you readily about my ventures, whom I endeavour to paint as nearly as I could, and dare for in some cases I dared not.... Thus far you are correct: there is not one of whom I had not in my mind the original, but I was obliged in most cases to take them from their real situations, and in one or two instances even to change their sex, and in many, the circumstances.... Indeed I do not know that I could paint merely from my own fancy, and there is no cause why I should.

During the year 1818 he was still at work, and in September of that year he writes to Mary Leadbeater that his verses "are not yet entirely ready, but do not want much that he can give them." The six weeks in London had given him advantages he had never enjoyed before.

Bannaker was also a naturalist, and wrote a treatise on locusts. He was invited by the Commission of United States Civil Engineers, to assist in the survey of the Ten Miles Square, for the District of Columbia. He assisted the Board, who, it is thought, could not have succeeded without him. His Almanac was preferred to that of Leadbeater, or any other calculator cotemporary with himself.

But then, what becomes of dramatic consistency, and the imperative claims of art? In the letter to Mrs. Leadbeater already cited Crabbe writes as to his forthcoming collection of Tales: "I do not know, on a general view, whether my tragic or lighter Tales, etc., are most in number. Of those equally well executed the tragic will, I suppose, make the greater impression."

The Tales of the Hall were published by John Murray in June 1819, in two handsome octavo volumes, with every advantage of type, paper, and margin. In a letter of Crabbe to Mrs. Leadbeater, in October 1817, he makes reference to these Tales, already in preparation. He tells his correspondent that "Remembrances" was the title for them proposed by his friends.

Susan Fleet sent out a parcel of manuals by Annie Besant and Leadbeater, among them The Astral Plane, Reincarnation, Death and After? and The Seven Principles of Man. She also sent bigger books by Sinnet, Blavatsky, and Steiner. But she advised Charmian to begin with the manuals, and to read slowly, and only a little at a time. Susan was no propagandist, but she was a sensible woman.

As soon as a child can speak he should be made to lisp the noble words of truth, and to love it, and to abhor a lie! What a beautiful character he will then make! Blessed is the child that can say, "Parental cares watched o'er my growing youth, And early stamped it with the love of truth." Leadbeater Papers.