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It was universally recognized in Italy that the sack of Rome was a punishment inflicted by Providence upon the godless city. Without quoting great authorities like Sadoleto or the Bishop of Fossombrone, one of whose letters gives a really awful picture of Roman profligacy (Opere di M.G. Guidiccioni, Barbera, vol. i. p. 193), we find abundant testimony to this persuasion regarding the intolerible vice of Rome, even in men devoid of moral conscience. Aretino (La Cortegiana, end of Act i. Sc. xxiii.) writes: 'Io mic redeva che il castigo, che l' ha dato Cristo per mano degli Spagnuoli, l'avesse fatta migliore, et è più scellerata che mai. Bandello (Novelle, Parte ii. xxxvii.) alluding to the sack, remarks in a parenthesis, 'benche i peccati di quella citt
He calls himself 'un certo omiciatto, che non è nessun di voi che veggendolo non l'avesse a noia, pensando che egli abbia fatto una commedia; and begs the audience to damn his play to save him the tedium of writing another. Criticised by the light of his subsequent actions, this prologue may even be understood to contain a covert promise of the murder he was meditating.
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