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The works on which Auber's claims to musical greatness rest are as follows: "Leicester," 1822; "Le Maçon," 1825, the composer's chef-d'ouvre in comic opera; "La Muette de Portici," otherwise "Masaniello," 1828; "Fra Piavolo," 1830; "Lestocq," 1835; "Le Cheval do Ihonze," 1835; "L'Ambassadrice," 1836; "Le Domino Noir," 1837; "Les Diamants de la Couronne," 1841; "Carlo Braschi," 1842; "Haydée," 1847; "L'Enfant Prodigue," 1850; "Zerline," 1851, written for Madame Alboni; "Manon Lescaut," 1856; "La Fiancée du Roi de Garbe," 1867; "Le Premier Jour de Bonheur," 1868; and "Le Rêve d'Amour," 1869.
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