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And so it came about that the first number of the Horen was largely made up of rather abstruse reading. Schiller did not fully realize that the philosophy on which he had been feeding with satisfaction for three years was not a palatable diet for the general literary public.

Cotta was prepared to spend money on it freely; the contributors were to be handsomely paid, and twenty-five of the best known writers in Germany had promised their cooperation. There was every reason to hope for a dashing success; and to make assurance doubly sure Schiller arranged for 'cooked' reviews of the Horen to be paid for by its publisher.

It is quite probable that Goethe and Schiller would sooner or later have come together in a friendly relation even if the Horen had never been thought of; and in that case their friendship would have lacked the militant tinge that it presently took on.

And so it came to pass that the two friends waxed wroth and determined to strike back. At first they thought of a withering review in the Horen, but this idea was given up in favor of another. Goethe had taken a great fancy to the ancient elegiac meter and for some time past it had been his favorite form of poetic expression.

In announcing the Horen to the public in 1795 he wrote: The more the minds of men are excited, shut in and subjugated by the narrow interests of the present, the more urgent is a general and higher interest in that which is purely human and superior to all influences of the time; an interest which shall set men free again and unite the politically divided world under the banner of truth and beauty.

But I had an idea, Hannah, that you were one of the people who could manage pretty well to be happy with things as they came." Hannah flushed and buried her face on Miss Lyndesay's shoulder. Frieda looked restless. "Bitte, sprechen Sie mal Deutsch," she said suddenly. "Es tut mir furchtbar weh, immer Englisch zu hören!" Quick as a flash Hannah's head came up, and she laughed a delicious laugh.

Of the essay upon 'Naive and Sentimental Poetry', contributed to the Horen in 1795, the first part is devoted to the 'Naive', which is defined as nature in felt contrast with art. To be naive an action must not only be natural but must put us to shame by suggesting a contrast with our own sophisticated standards.

Wilhelm Meister was completed; Hermann and Dorothea planned and written; Cellini translated for the "Horen;" the "Xenien" written by both for Schiller's Musenalmanach; every day brought with it points of contact. Of all this we talked this evening, and Goethe had full opportunity for the most interesting communications.

The invitation to the Horen is contained in the first letter of June 13, 1794; then the correspondence continues, and with every letter admiration for Schiller's extraordinary spirit and joy over his influence on our entire development increases in intensity and elevation.

And so, declining Cotta's offer anent the political journal, and thus leaving the famous Allgemeine Zeitung to begin its career a few years later under other hands, he chose Instead to found the Horen, which was to exclude politics altogether and induce people, if possible, to think of something else.