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This last is a very good symptom; for a man of sense is never desirous to frequent those companies, where he is not desirous to please, or where he finds that he displeases; it will not be expected in those companies, that, at your age, you should have the 'Garbo', the 'Disinvoltura', and the 'Leggiadria' of a man of five-and-twenty, who has been long used to keep the best companies; and therefore do not be discouraged, and think yourself either slighted or laughed at, because you see others, older and more used to the world, easier, more familiar, and consequently rather better received in those companies than yourself.
Go to whatever assemblies or SPECTACLES people of fashion go to, and when you are there do as they do. Endeavor to outshine those who shine there the most, get the 'Garbo', the 'Gentilezza', the 'Leggeadria' of the Italians; make love to the most impertinent beauty of condition that you meet with, and be gallant with all the rest.
Raffaello del Garbo, while he was a little boy, was called by the pet name of Raffaellino, which he retained ever afterwards; and in his earliest days he gave such promise in his art, that he was already numbered among the most excellent masters, a thing which happens to few.
This last is a very good symptom; for a man of sense is never desirous to frequent those companies, where he is not desirous to please, or where he finds that he displeases; it will not be expected in those companies, that, at your age, you should have the 'Garbo', the 'Disinvoltura', and the 'Leggiadria' of a man of five-and-twenty, who has been long used to keep the best companies; and therefore do not be discouraged, and think yourself either slighted or laughed at, because you see others, older and more used to the world, easier, more familiar, and consequently rather better received in those companies than yourself.
But instead of the proof of this order, I shall out of those many debates that happened ere it could be passed, insert two speeches that were made at the Council of legislators, the first by the Right Honorable Philautus de Garbo, a young man, being heir-apparent to a very noble family, and one of the councillors, who expressed himself as follows: "May it please your Highness, my Lord Archon of Oceana.
The other pictures here are two sunny panels by Ridolfo Ghirlandaio, high up, with nice easy colouring; No. 92, an Adoration of the Shepherds by Lorenzo di Credi, with a good landscape and all very sweet and quiet; No. 98, a Deposition by Filippino Lippi and Perugino, in collaboration, with very few signs of Filippino; and No. 90, a Resurrection by Raffaellino del Garbo, an uncommon painter in Florence; the whole thing a tour de force, but not important.
Go to whatever assemblies or SPECTACLES people of fashion go to, and when you are there do as they do. Endeavor to outshine those who shine there the most, get the 'Garbo', the 'Gentilezza', the 'Leggeadria' of the Italians; make love to the most impertinent beauty of condition that you meet with, and be gallant with all the rest.
Among the disciples of Filippo, who all failed by a great measure to equal him, was Raffaellino del Garbo, who made many works, as will be told in the proper place, although he did not justify the opinions and hopes that were conceived of him while Filippo was alive and Raffaellino himself still a young man. The fruits, indeed, are not always equal to the blossoms that are seen in the spring.
This he executed in chiaroscuro, in oils, a method that he much delighted to use for all his works, sketching them in the manner of a cartoon, with ink or with bitumen, before colouring them; as may still be seen from many beginnings of pictures and panels, which he left unfinished on account of his death, and as may also be perceived from many drawings by his hand, executed in chiaroscuro, of which the greater part are now in the Monastery of S. Caterina da Siena on the Piazza di S. Marco, in the possession of a nun who paints, and of whom record will be made in the proper place; while many made in the same way adorn our book of drawings, honouring his memory, and some are in the hands of Messer Francesco del Garbo, a most excellent physician.
The church is full of old frescoes by Cosimo Rosselli, Raffaellino del Garbo, and such, and is worth a visit, if only for the work of Mino and the S. Sebastian of Leonardo del Tasso. It is to another desecrated Benedictine convent you come when, passing through Via dei Pilastrati and turning into Via Farina, you come at last in Via della Colonna to S. Maria Maddalena de' Pazzi.
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