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Barbara; to the north of this is the larger Claustro da Hospedaria, begun about 1539, while to the south and hiding the lower part of the Coro is the splendid two-storied Claustro, miscalled 'dos Filippes, begun in its present form in 1557 by Diogo de Torralva some time after de Castilho's death.

This terrace is now bounded on the west by the Cloister dos Filippes, on the south by a high wall and by the chapter-house, begun by Dom Manoel but never finished, and on the north by the round church and by one bay of the Coro; and in this bay is now the chief entrance to the church.

Except for the cloister, which, designed after the manner of the Claustro dos Filippes at Thomar, has coupled Doric columns between the arches, and above, niches flanked by Ionic columns between square windows, the rest of the nunnery is even heavier and more barrack-like than the church.

Since about 1560 the upper cloister of the Filippes has covered the south side of the church so that the south chapter-house window, which now serves as a door, is hidden away in the dark. Still there is light enough to see that in naturalism and in originality it far surpasses anything elsewhere, except the west window of the same chapter-house.

In this court or cloister, the plan of the Claustro dos Filippes has been followed in that there are three wide arches on each side, and between them but not in the corners, and further apart than at Thomar a pair of columns. In this case the space occupied by one arch is scarcely wider than that occupied by the two fluted Doric columns and the square-headed openings between them.

Leaving the Claustro dos Filippes for the present, we must return to Batalha for a little, and then mention some buildings in which the early renaissance details recall some of the work at Thomar. The younger Fernandes had died in 1528, leaving the Capellas Imperfeitas very much in the state in which they still remain.

Below there is a porch, spreading beyond the church, and arranged exactly like the lower Claustro dos Filippes at Thomar, with round arches separated by two Doric columns on pedestals, but with a continuous entablature carried above the arches on large corbelled keystones. Behind rises the front in two stories.

Once when staying at Almeirim the king had been much interested in a model of the Colosseum brought to him by Gonçalo Bayão, whom he charged to reproduce some of the monuments he had seen in Rome. Whether he did reproduce them or not is unknown, but in the Claustro dos Filippes at Thomar this new and thoroughly Italian style is seen fully developed.

The upper cloister is not carried across the east side next the church; but in its south-west corner an opening with a good entablature, resting on two columns with fine Corinthian capitals, leads to one of those twisting stairs without a newel of which builders of this time were so fond. Going up this stair one reaches the cloister of the Filippes which João did not live to carry out.

It is much bolder than any of the French work left at Coimbra, being in much higher relief than was usual in the early French renaissance, and yet the figures and leaves are carved with the utmost delicacy and refinement. The same delicacy characterises such small parts of the cloister dos Filippes as were built by João de Castilho before he retired in 1551.