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We find in this respect even a direct connection of the new Roman with the new Greek literature; the already-mentioned Parthenius, one of the better known Alexandrian elegists, opened, apparently about 700, a school for literature and poetry in Rome, and the excerpts are still extant in which he supplied one of his pupils of rank with materials for Latin elegies of an erotic and mythological nature according to the well-known Alexandrian receipt.

He is generally considered the prince of elegists, and his extant fragments show great nicety and finish of expression. The sacrilegious theft of the locks of Berenice's hair from the temple where she had offered them, was a subject too well suited to a courtier's muse to escape treatment.

The true secret of their retirement revealed itself the morning after, when each of two great newspapers, with which they were severally connected, was found to contain long columns of elegy on the irreparable loss which the country had just suffered compositions implying a suggestion on the part of each of the elegists that a poet existed who was not unfit to repair it.

We are shown an old ivy-clad house, half hidden in trees, and adorned with weather-stained frescoes of the saints, and near it a chapel, much damaged by the violence of the river Po, which flowed hard by; not far off, the priest ploughs his few barren roods with borrowed cattle. This is no reminiscence of the Roman elegists, but true modern sentiment.

That same day after luncheon the two competitors departed. Our hostess and the other guests saw them off at the station, and as the train went on, the elegists were seen waving independent adieux, one from a first, the other from a third-class carriage. The successor to the late Laureate was Mr. Alfred Austin.

That the ancient poets, particularly the elegists, and Virgil, in the fourth book of the Aeneid, were not without influence on the Italians of this and the following generation is beyond a doubt; but the spring of sentiment within the latter was nevertheless powerful and original.

This is no reminiscence of the Roman elegists, but true modern sentiment; and the parallel to it a sincere, unartificial description of country life in general will be found at the end of this part of our work.

He had daringly brought the grief of wounded love out of the realm of fiction where classic tradition had insisted upon keeping it into the immediate and personal song. The hint for this procedure had, of course, come from Catullus, but it was Gallus whom succeeding elegists all accredited with the discovery. Vergil at once felt the compelling force of this adventuresome experiment.

We find in this respect even a direct connection of the new Roman with the new Greek literature; the already-mentioned Parthenius, one of the better known Alexandrian elegists, opened, apparently about 700, a school for literature and poetry in Rome, and the excerpts are still extant in which he supplied one of his pupils of rank with materials for Latin elegies of an erotic and mythological nature according to the well-known Alexandrian receipt.

The early Greek elegies related to a variety of themes, as war, love, preceptive wisdom. The iambic meter was first used in satire. It was employed, however, in fables, and elsewhere when pointed or intense expression was craved. The earliest of the Greek elegists, Callinus and Tyrtaus, composed war-songs. Mimnermus, Solon, Theognis, Simonides of Ceos, are among the most famous elegists.