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I was obliged to put on a strong voice, she to soften hers. In fact, it was absurd. The piece was a demi-succes. After that I created L'Absent, a pretty piece in verse, by Eugene Manuel; Chez l'Avocat, a very amusing thing in verse, by Paul Ferrier, in which Coquelin and I quarrelled beautifully. Then, on August 22, I played with immense success the role of Andromaque.
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