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Perhaps the play in which Racine's wonderful discrimination in the drawing of passionate character may be seen in its most striking light is Andromaque. Here there are four characters two men and two women all under the dominion of intense feeling, and each absolutely distinct.

Madame de Stael seized me quickly by the arm, saying, 'I am sure that you would act tragedy admirably; stop with us and take a part in Andromaque. That was her hobby and amusement of the moment. "I resisted her kindly suggestion, and the conversation came back to Chateaubriand and his article, which was much admired, and caused some anxiety.

The part of Orestes in Andromaque, is another character in which the acting of Talma is seen to much advantage: and to a foreigner, it is peculiarly interesting, as it displays, more than any other almost, that uncommon power of recitation which distinguishes his acting from the tame and monotonous declamation of the ordinary actors; and which gives to the splendid language, and elevated sentiments of the French tragedies, an effect which cannot easily be understood by any one who has never seen them well performed.

My school-day triumphs in Racine's "Andromaque" were far enough behind me, and I could only answer, with as much perplexity as good faith, that I had not the slightest idea whether I had or not. Having learned it by heart, I recited Portia to my mother, whose only comment was, "There is hardly passion enough in this part to test any tragic power. I wish you would study Juliet for me."

Andromaque consents, but decides secretly to kill herself immediately after the marriage, and thus ensure both the safety of Astyanax and the honour of Hector's wife. Hermione, in a fury of jealousy, declares that she will fly with Oreste, on one condition that he kills Pyrrhus.

Andromaque, the still youthful widow of Hector, cares for only two things in the world with passionate devotion her young son Astyanax, and the memory of her husband. Both are the captives of Pyrrhus, the conqueror of Troy, a straightforward, chivalrous, but somewhat barbarous prince, who, though he is affianced to Hermione, is desperately in love with Andromaque.

I was obliged to put on a strong voice, she to soften hers. In fact, it was absurd. The piece was a demi-succes. After that I created L'Absent, a pretty piece in verse, by Eugene Manuel; Chez l'Avocat, a very amusing thing in verse, by Paul Ferrier, in which Coquelin and I quarrelled beautifully. Then, on August 22, I played with immense success the role of Andromaque.

Henriette wept over the Andromaque when Racine read it to her, until the happy youth's head was well-nigh turned by what he considered the most fortunate beginning of its destiny.

He next visited New Orleans and acquired such facility in speaking French that he played parts in French plays more than acceptably, and distinguished himself by acting Orestes in Racine's "Andromaque," to the delight of the French-speaking population. His accent is said to have been remarkable for its purity.

The poet had discovered that sympathy was a more powerful source of tragic effect than admiration, and he accordingly employed the powers of his genius in a truthful expression of feeling and character, and a thrilling alternation of hope and fear, anger and pity. "Andromaque" was followed almost every year by a work of similar character.