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Ridolfo was a rapid and resolute painter in certain kinds of work, and particularly in festive decorations; and thus, for the entry of the Emperor Charles V into Florence, he executed in ten days an arch at the Canto alla Cuculia, and another arch in a very short time at the Porta al Prato for the coming of the most illustrious Lady, Duchess Leonora, as will be related in the Life of Battista Franco.

He painted in fresco, at the corner of a house that now belongs to Matteo Botti, between the Canto del Ponte alla Carraja and the Canto della Cuculia, a little shrine containing Our Lady with the Child in her arms, with S. Catherine and S. Barbara kneeling, a very graceful and carefully executed work. For the Villa of Marignolle, belonging to the Girolami, he painted two most beautiful panels, with Our Lady, S. Zanobi, and other saints; and he filled the predella below both of these with little figures representing scenes from the lives of those saints, executed with great diligence. On the wall above the door of the Church of the Nuns of S. Giorgio, he painted a Piet

Now he had a very fair and lovesome lady to wife, by name Mistress Tessa, who was the daughter of Mannuccio dalla Cuculia and was exceeding discreet and well advised.

On the Canto de' Carnesecchi the same master made a figure, twelve braccia high, of Jason, Leader of the Argonauts, but this, being of immoderate size, and the time short, did not prove to have the perfection of the first; nor, indeed, did the figure of August Gladness that he made on the Canto alla Cuculia.

After these he made many other figures in the same church, and particularly in two chapels in the tramezzo. And about the same time he painted the shrine of the Canto alla Cuculia, and that which is on the house-front in the Via de' Martelli; and, over the Martello door in S. Spirito, a S. Augustine in fresco presenting the Rule to his friars.