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Coblontz introduces the tribute to Marceau; Clarens an almost complete review, in five verses, of Rousseau; Lausanne and Ferney the quintessence of criticism on Gibbon and Voltaire.
Could I bear to see my old love in the possession of another? Would I not be driven to despair? As the carriage neared Clarens, I wished that it would break down. When I dismounted I awaited Julie in mortal anxiety. She came running and calling out to me, she seized me in her arms. All my terrors were banished, I knew no feeling but joy. M. de Wolmar, meanwhile, was standing beside us.
But if I could perform the absolute impossibility of getting one single outline of the scene into words, there would be all the color wanting, the light, the haze, which spiritualizes it, and moreover makes a thousand and a thousand scenes out of that single one. Clarens, however, has still another interest for me; for I found myself more affected by it, as the scene of the love of St.
"For Geneva first, Italy later, unless Montreaux is mild enough for me to winter in. I go to satisfy my friends, but doubt if it avails." "Where is Montreaux?" asked Amy. "Near Clarens, where Rousseau wrote his Heloise, and Vevay, where so many English go to enjoy Chillon. The climate is divine for unfortunates like myself, and life more cheap there than in Italy."
But if I could perform the absolute impossibility of getting one single outline of the scene into words, there would be all the color wanting, the light, the haze, which spiritualizes it, and moreover makes a thousand and a thousand scenes out of that single one. Clarens, however, has still another interest for me; for I found myself more affected by it, as the scene of the love of St.
We passed Vevay and Clarens, which, methought, was particularly picturesque; for now the hills had approached close to the water on the northern side also, and steep heights rose directly above the little gray church and village; and especially I remember a rocky cliff which ascends into a rounded pyramid, insulated from all other peaks and ridges.
"Petruschka" was written in 1911, the composer residing in Rome at the time. "Le Sacre du printemps" was written in Clarens, where Strawinsky generally lives. It was produced in Paris in 1913. The opera "Le Rossignol," of which one act was completed in 1909, and two in 1914, was produced in Paris and in London just before the war. A new ballet "Les Noces villageoises" has not as yet been produced.
For the rest, Montreux offers to the novelist's hand perhaps the crude American of the station who says it is the cheapest place he has struck, and he is going to stick it out there awhile; perhaps the group of chattering American school-girls; perhaps the little Jewish water-color painter who tells of his narrow escape from the mad dog, which having broken his chain at Bouveret, had bitten six persons on the way to Clarens, and been killed by the gendarmes near Vevay; perhaps two Englishwomen who talk for half an hour about their rooms at the hotel, and are presently joined by their husbands, who pursue the subject.
Here sat Byron, by the deep bluish green lake, under the walnut trees and wrote his melodious verses upon the prisoner of the deep sombre castle of Chillon. Here, where Clarens with its weeping willows, mirrored itself in the waters, once wandered Rousseau and dreamt of Heloïse.
Here, under the walnut-trees, by the deep blue lake, sat Byron, and wrote his melodious verses about the prisoner confined in the gloomy castle of Chillon. Here, where Clarens, with its weeping-willows, is reflected in the clear water, wandered Rousseau, dreaming of Heloise.
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