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It seems therefore not unreasonable to claim this as João de Castilho's work, and to see in it one of the earliest as well as the most complete example of this form of renaissance architecture, a form which prevailed side by side with the work of the Frenchmen and their pupils for about fifteen years.

It is, of course, also possible that when Nicolas went to Coimbra, where he was already at work in 1524, some French assistant may have stayed behind, yet the carving on the piers is rather coarser than in most French work, and so was more probably done by Portuguese working under Castilho's direction.

This part of the building, begun about 1539, must have been carried on during João de Castilho's absence, as in 1541 he was sent to Mazagão on the Moroccan coast to build fortifications; there he made a bastion 'so strong as to be able not only to resist the Shariff, but also the Turk, so strong was it.

As for the cloisters which are mentioned later, they have much in common with João de Castilho's work at Thomar, as, for instance, in the Claustros da Micha, or the Claustro da Hospedaria; in the latter especially the upper story suggests the arrangement which became so common.

Barbara; to the north of this is the larger Claustro da Hospedaria, begun about 1539, while to the south and hiding the lower part of the Coro is the splendid two-storied Claustro, miscalled 'dos Filippes, begun in its present form in 1557 by Diogo de Torralva some time after de Castilho's death.