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The sonata I composed for Madlle. Cannabich I intend to write out as soon as possible on small paper, and to send it to my sister. I began to teach it to Madlle. Rose three days ago, and she has learned the allegro. The andante will give us most trouble, for it is full of expression, and must be played with accuracy and taste, and the fortes and pianos given just as they are marked.

He is a most gracious and good Prince. I could also write a German one, God be praised!" said I, smiling. "That may easily be arranged." He has one son and three daughters, the eldest of whom and the young Count play the piano. The Elector questioned me confidentially about his children. I spoke quite honestly, but without detracting from their master. Cannabich was entirely of my opinion.

Well, it appears, in the year 1750, at this thrice-obscure Village of Hemmleben, the worthy old pastor Cannabich died; worthy old man, how he had lived there, modestly studious, frugal, chiefly on farm-produce, with tobacco and Dutch theology; a modest blessing to his fellow-creatures! And now he is dead, and the place vacant.

I am going to Cannabich's afterwards, at half-past six o'clock, to give my usual daily music-lesson. A propos, I must correct a statement of mine. I said yesterday that Madlle. Cannabich was fifteen; it seems, however, that she is only just thirteen. Our kind regards to all our friends, especially to Herr Bullinger. Mannheim, Dec. 10, 1777. ALL is at an end, for the present, with the Elector.

The Elector was by no means satisfied with his mode of accompanying, and said he preferred his own people. Cannabich, knowing this, mentioned to Count Seeau, before the concert began, that he had no objection to Mara's playing, but that Danzi must also play. When Mara came he was told this, and yet he was guilty of this insolence.

Therese von Barisani; if I had a brother, I would request him to kiss her hand in all humility, but having a sister only is still better, for I beg she will embrace her in the most affectionate manner in my name. A propos, do write a letter to Cannabich; he deserves it, and it will please him exceedingly. What does it matter if he does not answer you?

Twenty pounds a Year certain; let us guess it twenty, with glebe-land, piggeries, poultry-hutches: who is now to get all that? Linsenbarth starts with his Narrative, in earnest. Linsenbarth, who I guess may have been Assistant to the deceased Cannabich, and was now out of work, says: "I had not the least thought of profiting by this vacancy; but what happened?

Cannabich composes far better than when we knew him in Paris, but what both mamma and I remarked here at once in the symphonies is, that one begins just like another, always slow and unisono. I must now, dear papa, write you something about the Holy Cross in Augsburg, which I have always forgotten to do.

"I was here fifteen years ago," said I, "but now I am older and more advanced, and I may say in music also" "Oh!" said the Count, "you are" I have no idea whom he took me for, as Cannabich interrupted him, but I affected not to hear, and entered into conversation with the others. Still I observed that he was speaking of me very earnestly.

He will give you twenty florins to write for him three little easy short concertos, and a couple of quattros for a leading flute. Cannabich can get you at least two pupils, who will play well; and you could write duets for the piano and violin, and publish them by subscription.