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The prima donna was Madame Elisabeth Wendling, not the wife of the flute-player, but of the violinist. She is in very delicate health; and, besides, this opera was not written for her, but for a certain Madame Danzi, who is now in England; so it does not suit her voice, and is too high for her.

When Cannabich saw and heard this, he called out, "Danzi, stay where you are; the Elector prefers his own people playing the accompaniments." Then the air began, Mara standing behind his wife, looking very sheepish, and still holding his violoncello.

Mara's tone was now, however, entirely lowered; he begged to be forgiven, and excused himself as he best could. At the first concert before my arrival he played a concerto, and accompanied his wife, taking Danzi's place without saying a word either to Danzi or any one else, which was allowed to pass.

No one can know about it better than I do, as I was present, so I heard and witnessed the whole affair. When the first symphony was over, it was Madame Mara's turn to sing. I then saw her husband come sneaking in behind her with his violoncello in his hand; I thought she was going to sing an aria obligato with violoncello accompaniment. Old Danzi, the first violoncello, also accompanies well.

The Elector was by no means satisfied with his mode of accompanying, and said he preferred his own people. Cannabich, knowing this, mentioned to Count Seeau, before the concert began, that he had no objection to Mara's playing, but that Danzi must also play. When Mara came he was told this, and yet he was guilty of this insolence.

His friend Danzi, director of the royal opera at Stuttgart, proved his good genius in this instance; for he wrangled with the king till his young friend was released. Weber's only consolations during this dismal life in Stuttgart were the friendship of Danzi, and his love for a beautiful singer named Gretchen. Danzi was a true mentor and a devoted friend.