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In front of the miyas stood what we should suppose on first seeing was a gateway. This was the torii or bird-perch, and anciently was made only of unpainted wood. Two upright tree-trunks held crosswise on a smooth tree-trunk the ends of which projected somewhat over the supports, while under this was a smaller beam inserted between the two uprights.
Phallic Symbols. To form one's impression of the Kami no Michi wholly from the poetic liturgies, the austere simplicity of the miyas or shrines, or the worship at the palace or capital, would be as misleading as to gather our ideas of the status of popular education from knowing only of the scholars at court. Among the common people the real basis of the god-way was ancestor-worship.
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