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I can only say, that in the winter of 1851, the "Paradise" of Tintoret was still comparatively uninjured, and that the Camera di Collegio, and its antechamber, and the Sala de' Pregadi were full of pictures by Veronese and Tintoret, that made their walls as precious as so many kingdoms; so precious indeed, and so full of majesty, that sometimes when walking at evening on the Lido, whence the great chain of the Alps, crested with silver clouds, might be seen rising above the front of the Ducal Palace, I used to feel as much awe in gazing on the building as on the hills, and could believe that God had done a greater work in breathing into the narrowness of dust the mighty spirits by whom its haughty walls had been raised, and its burning legends written, than in lifting the rocks of granite higher than the clouds of heaven, and veiling them with their various mantle of purple flower and shadowy pine.
Desiring nothing but beauty of line and color, and expressiveness provided it was beautiful, they sought a subject merely as the raison d'etre of beauty. Raphael could paint the Madonna and Child a score of times, and Veronese his Marriages of Cana, and all of them Magdalenes and St. Sebastians by the dozen, without thinking of finding fresh subjects to excite fresh interest.
And would Titian and Paul Veronese and Tintoretto have done all this for a Mayor and Corporation? These are awkward questions. None the less, there it is, and the Doges' Palace, within, would impart no thrill to me were it not for Tintoretto's "Bacchus and Ariadne."
The Louvre may be also considered rich in the works of Titian, some fine subjects by Guido, Murillo, Correggio, and Paul Veronese, of which the Marriage in Cana is supposed to be the largest detached picture in the world; and many of the figures are portraits, as of Francis I, Mary of England, etc., who were contemporaries with the artist; in fact there are some paintings of almost every celebrated Italian and Spanish master.
But, if Landi is a colorist, then are Titian and Veronese never more to be admired. In short, I have never met with the works of an artist who had a name like Landi's so utterly destitute of even the shadow of merit. There is but one word which can express their character, they are execrable!
A Veronese named Giropoldi, who lived with an officer from Lorrain called Bachelier, held a bank at faro at her house, where a dancer, who had been the mistress of the famous Afflisio at Vienna, brought customers. Major Sadir, whom I have mentioned before, kept another gaming-house, in company with his mistress, who came from Saxony. The Baron de St.
Paul Cágliari of Verona is far better known as Paul Veronese. He was born in Verona in 1530, and was the son of a sculptor. He was taught by his father to draw and model, but abandoned sculpture for the sister art of painting, which was more akin to his tastes, and which he followed in the studio of an uncle who was a fair painter.
Veronese is reported to have been far more correct and careful in drawing than was Tintoret, while Veronese's prodigality of colour was a mellowed version of Tintoret's glare or deadness. One of Veronese's best pictures is the 'Marriage of Cana, painted originally for the refectory of the convent of San Giorgio, Venice, and now in the Louvre.
Adrienne de Cardoville, whose charming countenance was radiant with the gayety of happiness and joy, proceeded to dictate the following letter to a meritorious old painter, who had long since taught her the arts of drawing and designing; in which arts she excelled, as indeed she did in all others: "MY DEAR TITIAN, MY GOOD VERONESE, MY WORTHY RAPHAEL.
Of course it would never have occurred to Carry Fisher to put me on the list, and I should have been so sorry to miss seeing it all and especially Lily herself. Some one told me the ceiling was by Veronese you would know, of course, Lawrence. I suppose it's very beautiful, but his women are so dreadfully fat. Goddesses?
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