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Tellamantez could not write her name, and could read but little. Her strong nature lived upon itself. She was chiefly known in Moonstone for her forbearance with her incorrigible husband. Nobody knew exactly what was the matter with Johnny, and everybody liked him. His popularity would have been unusual for a white man, for a Mexican it was unprecedented. His talents were his undoing.
Once beyond Denver, he played his way southward from saloon to saloon until he got across the border. He never wrote to his wife; but she would soon begin to get newspapers from La Junta, Albuquerque, Chihuahua, with marked paragraphs announcing that Juan Tellamantez and his wonderful mandolin could be heard at the Jack Rabbit Grill, or the Pearl of Cadiz Saloon. Mrs.
When they left Mexican Town, Thea was on the front seat with Ray and Johnny, and Gunner and Axel sat behind with Mrs. Tellamantez. They objected to this, of course, but there were some things about which Thea would have her own way. "As stubborn as a Finn," Mrs. Kronborg sometimes said of her, quoting an old Swedish saying.
Tellamantez waited and wept and combed her hair. When he was completely wrung out and burned up, all but destroyed, her Juan always came back to her to be taken care of, once with an ugly knife wound in the neck, once with a finger missing from his right hand, but he played just as well with three fingers as he had with four.
Tellamantez on her doorstep, and began to count the moon flowers on the vine that ran over the house. Mrs. Tellamantez was always considered a very homely woman. Her face was of a strongly marked type not sympathetic to Americans. Such long, oval faces, with a full chin, a large, mobile mouth, a high nose, are not uncommon in Spain. Mrs.
One of the managers of the show had traveled about the Southwest, signing up a lot of Mexican musicians at low wages, and had brought them to New York. Among them was Spanish Johnny. After Mrs. Tellamantez died, Johnny abandoned his trade and went out with his mandolin to pick up a living for one. His irregularities had become his regular mode of life.
As Thea and the doctor approached the 'dobe houses, they heard a guitar, and a rich barytone voice that of Famos Serrenos singing "La Golandrina." All the Mexican houses had neat little yards, with tamarisk hedges and flowers, and walks bordered with shells or whitewashed stones. Johnny's house was dark. His wife, Mrs. Tellamantez, was sitting on the doorstep, combing her long, blue-black hair.
Then Thea noticed that there was something beside her, covered up with a purple and yellow Mexican blanket. She ran up the gulch and called to Mrs. Tellamantez. The Mexican woman held up a warning finger. Thea glanced at the blanket and recognized a square red hand which protruded. The middle finger twitched slightly. "Is he hurt?" she gasped. Mrs. Tellamantez shook her head. "No; very sick.
Tellamantez had made to Dr. Archie, long ago. There were the same shells along the walk; she believed she could pick out the very one. There was the same moon up yonder, and panting at her elbow was the same Johnny fooled by the same old things!
Every one was busy with his own thoughts. Mrs. Tellamantez was thinking of the square in the little town in which she was born; of the white church steps, with people genuflecting as they passed, and the round-topped acacia trees, and the band playing in the plaza.
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