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She found herself clasped by arms like steel so strong, so sure, that she felt as safe and secure as when Vladimir Ravinski, the amazingly clever young Russian who partnered her in several of her dances, sometimes lifted her, lightly and easily as a feather, and bore her triumphantly off the stage aloft on his shoulder.
"It's not unlike," he agreed carelessly. Then the entrance of Vladimir Ravinski, the lovelorn youth of the legend, riveted his attention on the stage. The dance which followed was exquisite.
When the darkness lifts once more, the stage is empty save for a pure white swan which sails slowly down the lake and disappears. . . . Followed a solo dance by Ravinski in which he gave full vent to the anguish of the bereft lover, while now and again the swan swam statelily by him.
A dance, based upon this legend, had been devised for Magda in conjunction with Vladimir Ravinski, the brilliant Russian dancer, he taking the lover's part, and the whole tragic little drama was designed to terminate with a solo dance by Magda as the dying Swan-Maiden.
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