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The situation of the church, I should suppose, is the loftiest in Rome: it has a fountain at one end, and a column at the other; but I did not pay particular attention to either, nor to the exterior of the church itself. On my return, I turned aside from the Via delle Quattro Fontane into the Via Quirinalis, and was led by it into the Piazza di Monte Cavallo.

The long magnificence of Italian culture has left us only I Quattro Poeti, the Four Poets. The difference between Shakspeare and his contemporaries is not that he is read twice, ten times, a hundred times as much as they: it is an absolute difference; he is read, and they are only printed.

Franz gave him Albert's letter. "Read that," he said. The count read it. "Well, well!" said he. "Did you see the postscript?" "I did, indeed. "'Se alle sei della mattina le quattro mile piastre non sono nelle mie mani, alla sette il conte Alberto avra cessato di vivere. "'Luigi Vampa." "What think you of that?" inquired Franz. "Have you the money he demands?"

Se alle sei della mattina le quattro mile piastre non sono nelle mie mani, alla sette il conte Alberto avra cessato di vivere. Luigi Vampa. "If by six in the morning the four thousand piastres are not in my hands, by seven o'clock the Count Albert will have ceased to live."

One sad old woman, who sits near the Quattro Fontane, and says her prayers and rattles her box, always touches my heart, there is such an air of forlornness and sweetness about her. As I was returning, last night, from a mass at San Giovanni in Laterano, an old man glared at us through great green goggles, to which Jealousy's would have yielded in size and color, and shook his box for a baiocco.

I went out to-day, and, going along the Via Felice and the Via delle Quattro Fontane, came unawares to the Basilica of Santa Maria Maggiore, on the summit of the Esquiline Hill. I entered it, without in the least knowing what church it was, and found myself in a broad and noble nave, both very simple and very grand.

There was no sequence in his imaginings, and he longed nervously for the moment when everything should be settled. The restlessness that had brought him up to his room demanded some sort of action to quiet it. He would willingly have gone out to see his friend, the little apothecary who lived near the Ponte Quattro Capi. It would be a relief to talk to some one, to hear the sound of a human voice.

Between me and me I thought quattro very well, but probably Lowell had in mind some end which cinque would have fitted better. It was pretty sure to be an unselfish end, a pleasure to some one dear to him, a gift that he had wished to make. Long afterwards when I had been the means of getting him cinque for a poem one-tenth the length, he spoke of the payment to me.

The selection made by a single race or by a single century is not likely to be widely or permanently acceptable. Long years ago the Italians were wont to speak of the Four Poets, quattro poete, meaning thereby Dante, Petrarch, Ariosto, and Tasso. But this was a choice far too local and far too narrow.

"Pauline," said May, with grave emphasis; "Nanni knew me." "You are sure?" "Perfectly. I saw it in his face, and, besides, that is all he could have meant by his message. You didn't hear that, did you?" "No; and he left you a message?" "Yes; when we landed at Quattro Fontane this morning, and found Mr. Daymond there did you notice that he seemed to have something to say to me?" "Yes; I noticed."