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The other way was open; he cannot have noticed it. The young man Harry this is the trouble is only a recorder, a picture-maker, so long as he speaks for himself. He is very well placed for describing his world, which needs somebody to describe it; his world is much too big and complex to be shown scenically, in those immediate terms I spoke of just now in connection with Maupassant's story.
"This deliberate pronouncement affected the two persons in question in an entirely opposite manner, for one of them was little removed from a condition of incessant and most uninviting poverty, while the other was the very highly-rewarded picture-maker Pe-tsing.
"Chief among those who sought to have the original manner of rewarding persons again established was the picture-maker, Pe-tsing, who now found himself in a condition of most abject poverty, so unbearable, indeed, that he frequently went by night, carrying a lantern, in the hope that he might discover some of the small pieces of money which he had been accustomed to throw into the air on meeting Lee Sing.
The risks of the future, however, were too great to be run with impunity; therefore it was arranged, by means of money for this person was fast becoming acquainted with the ways of Peking that an emissary from one who sat in an easy-chair should call upon him for a conference, the narrative of which appeared in this form in the Peking Printed Leaves of Thrice-distilled Truth: The brilliant and amiable young picture-maker Kin Yen, in spite of the immediate and universal success of his accomplished efforts, is still quite rotund in intellect, nor is he, if we may use a form of speaking affected by our friends across the Hoang Hai, "suffering from swollen feet."
He illustrates the modern sketch of travel, the modern tale the poor little "quiet," psychological, conversational modern tale, which I often think the artist invited to represent it to the eye must hate, unless he be a very intelligent master, little, on a superficial view, would there appear to be in it to represent. The superficial view is, after all, the natural one for the picture-maker.
"With these words the commonplace picture-maker poured forth the contents of the sacks, and stood looking at Lila in a most confident and unprepossessing manner.
"Not in the case of the one who is speaking," replied the grandfather of Chang Tao, "but a very illustrious poet, whom Shen Yi charitably employed about his pig-yard, certainly described it as a ripple on the surface of a dark lake of wine, when the moon reveals the hidden pearls beneath; and after secretly observing the unstudied grace of her movements, the most celebrated picture-maker of the province burned the implements of his craft, and began life anew as a trainer of performing elephants.
It leaves the story to speak for itself, but perhaps the story may then say too much to be reasonably credible. It must be restrained, qualified, toned down, in order to make its best effect. Where the action, in short, is likely to seem harsh, overcharged, romantic, it is made to look less so, less hazardous and more real, by recourse to the art of the picture-maker.
Many a story, from the large panoramic chronicle to the small and single impression, postulates the story-teller, the picture-maker, and by that method gives its best. Speaking in person or reported obliquely, the narrator serves his turn.
However, what is style for one art is style for other, so blessed is the fraternity that binds them together, and the worker in words may take a lesson from the picture-maker of "She Stoops to Conquer." It is true that what the verbal artist would like to do would be to find out the secret of the pictorial, to drink at the same fountain. Mr.