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Without changing the tone of his discourse, and recounting his travels to his audience as if he were addressing only Marianne, he told in a voice more Italian than Spanish, in musical, non-guttural cadences, of his experiences on the borders of the Nile, of the weariness of the caravans, of the nights passed under star-strewn skies, of the songs of the camel-driver, slowly intoned like prayers, of the gloom of solitary wastes and of the poetic associations of the ruins slumbering amid the red sands of the desert.
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