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In the middle of the commonplace town, with its straight, characterless streets, there suddenly appeared Egyptian hypogea, Norwegian chalets, cloisters, bastions, exhibition pavilions, pot-bellied houses, fakirs, buried in the ground, with expressionless faces, with only one enormous eye; dungeon gates, ponderous gates, iron hoops, golden cryptograms on the panes of grated windows, belching monsters over the front door, blue porcelain tiles plastered on in most unexpected places; variegated mosaics representing Adam and Eve; roofs covered with tiles of jarring colors; houses like citadels with castellated walls, deformed animals on the roofs, no windows on one side, and then suddenly, close to each other, gaping holes, square, red, angular, triangular, like wounds; great stretches of empty wall from which suddenly there would spring a massive balcony with one window a balcony supported by Nibelungesque Caryatides, balconies from which there peered through the stone balustrade two pointed heads of old men, bearded and long-haired, mermen of Boecklin.
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