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Madam Morelli, whip and training rod in hand, hurried from her dressing room to the runway, and every keeper and trainer seemed to be loitering in the space between the leopards' den and the audience.

It may be so, but if one reads also the other experts Sir Sidney Colvin, Morelli, Justi, the older Venturi, Mr. Berenson, Mr. Charles Ricketts, Mr. Herbert Cook one is simply in a whirl. For all differ. Mr. Cook, for example, is lyrically rapturous about the two Padua panels, of which more anon, and their authenticity; Mr.

At my arrival in Prague, where I did not intend to stop, I delivered a letter I had for Locatelli, manager of the opera, and went to pay a visit to Madame Morelli, an old acquaintance, for whom I had great affection, and for two or three days she supplied all the wants of my heart.

"I will make myself intelligible to you," said he, in a milder tone. "You must understand, that I know you, Corilla. That assassin who followed the Princess Tartaroff at the festival of Cardinal Bernis, was employed by you, Signora Maddalena Morelli Fernandez, called Corilla!"

I also met at Gorice a Count Coronini, who was known in learned circles as the author of some Latin treatises on diplomacy. Nobody read his books, but everybody agreed that he was a very learned man. I also met a young man named Morelli, who had written a history of the place and was on the point of publishing the first volume.

Last of all in this particular group another work in respect of which Morelli has played the rescuer is the Madonna and Child with four Saints, No. 168 in the Dresden Gallery, a much-injured but eminently Titianesque work, which may be said to bring this particular series to within a couple of years or so of the Assunta that great landmark of the first period of maturity.

Specially in "The Death of Virginia," of the Morelli Collection, Bergamo, and the sketched figures in the repainted "Adoration of the Magi," lately exposed in the Uffizi. "Purgatorio," ii. 38. For example, in the "Madonna," of the Mancini Collection, and "The Crowning of the Elect," at Orvieto. Signorelli's pictures, when not frescoed, are invariably painted with oil. "Italian Painters," i. 92.

The effect of the early morning sun rising over the distant sea is of indescribable charm, and invests the scene with a poetic glamour which, as Morelli truly remarks, awakens devotional feelings. What must have been the effect when it was first painted! for even five modern restorations, under which the original work has been buried, have not succeeded in destroying the hallowing charm.