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Not to mention the Theatre Italieri, with that incomparable trio Grisi, Lablache, and Mario Parisians by adoption and then in the heyday of their talent; the Francais, the Porte-Saint-Martin, and the Gymnase, all offered us representations which approached very nearly to perfection. The recollection of Le Menteur, as played in the Tuileries Theatre by Firmin, Samson, and Regnier, with Mdmes.
To no avail I called the planton a menteur, a voleur, a fils d'un chien, and various other names. But again like an inconsolable child who weeps his heart out when no human comfort avails and wakes the next day without an apparent trace of the recent grief Jean le Negre, in the course of the next twenty-four hours, had completely recovered his normal buoyancy of spirit.
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