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In the Kano home the simple night meal of rice, tea, soup, and pickled vegetables was already prepared. Mata motioned them to their places in the main room where old Kano was already seated, and served them in the gloomy silence which was part of the general strain. Throughout the whole place reproach hung like a miasma.

At that time, now a week ago, he had been pleased, and Kano irradiated. Already he was cursing himself for his pains, and crying aloud that, had he dreamed the consequences, never had the name of Tatsu crossed his lips! Ando's anticipated joys in Yeddo lay, as yet, before him. Hourly was he tormented by visits from the impatient Kano. Neither midnight nor dawn were safe from intrusion.

He was an artist. Could he endure another revelation of joy? Yes, his soul, renewed ever as the gods themselves renew their youth, was to be given the inner vision. Now, to him, this was the first morning. Creation bore down upon him. The flower, too, had begun to tremble. Kano turned directly to it.

"Vile things they are, like the ooze that smears the bottom of a lake. I climb this hillside for my couch. To-morrow, with the sun, I shall return!" The voice, trailing away through silence and the night, had a tone of supernatural sweetness. When it had quite faded Kano stared on, for a long time, into the fragrant solitude.

Paints, brushes, and vessels without number made an array to tempt, if only the tempting were not so obvious. Umè-ko, watching closely the expression of her husband's face as he was first led into this room, drew old Kano aside, and urged that more tact and delicacy be used in leading Tatsu back to a desire for creative work.

After the Dragon Maid was won, well then, this halting insect man need not trouble them. They left the house together, Tatsu in scowling silence at the unwelcomed comradeship, Kano hard put to it to match his steps with the boy's long, swinging mountain stride. "What am I to do with this wild falcon for a month?" thought Kano, half in despair, yet smiling, also, at the humor.

Kano indeed idolized his adopted son with pathetic and undisguised fervor; but with Tatsu, though other things might have been forgiven, the old man's continued disrespect to his daughter's memory, his refusal to join even in the simplest ceremony of devotion, kept both him and old Mata chilled and distant.

It was the name on the scrap of paper that guided me here." "Is it possible that you do not yet know the meaning of the name of Kano?" asked the artist, incredulously. A thin red tingled to his cheek, the hurt of childish vanity. "There is one of that name in my village," said Tatsu. "He is a scavenger, and often gives me fine large sheets of paper." Old Kano's lip trembled. "I am not of his sort.

Here, every stroke was to be recorded, each passing whim and mood registered, as in a book of fate. For days the little workroom remained immaculate. Kano began to fret. Ando Uchida, the wise, said, "Wait." It was Mata who finally precipitated the crisis.

Some day, perhaps the very day before the wedding, she might reveal it. For the present, as she said, no one but herself and Uchida knew. More than once during sewing hours, Umè-ko herself had wondered how her father was able to give her silks of such beauty and variety. With the unthrift of the true artist, Kano was always poor.