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Degradation of rank, an aristocratic prelude, began what the revolution was to complete. It was not very far off the time when Jelyotte was seen publicly sitting, in broad daylight, on the bed of the Marquise d'Epinay. If the word woman signifies fault, as I forget what Council decided, never was woman so womanlike as then.
The orchestra was numerous, composed of the orchestras of the opera and the king's band. Jelyotte played Colin, Mademoiselle Fel, Colette, Cuvillier the Devin: the choruses were those of the opera.
I said but little; Jelyotte had prepared everything; I was unwilling either to approve of or censure what he had done; and notwithstanding I had assumed the air of an old Roman, I was, in the midst of so many people, as bashful as a schoolboy. The next morning, the day of performance, I went to breakfast at the coffee-house 'du grand commun', where I found a great number of people.
My reasons could not be known to everybody, it was therefore easy to accuse me of foolish pride, and thus not irritate the jealousy of such as felt they would not have acted as I had done. The next day Jelyotte wrote me a note, in which he stated the success of my piece, and the pleasure it had afforded the king.
I suppressed the recitative of Jelyotte, and substituted my own, such as I had first composed it, and as it is now engraved; and this recitative a little after the French manner, I confess, drawled out, instead of pronounced by the actors, far from shocking the ears of any person, equally succeeded with the airs, and seemed in the judgment of the public to possess as much musical merit.
The orchestra was numerous, composed of the orchestras of the opera and the king's band. Jelyotte played Colin, Mademoiselle Fel, Colette, Cuvillier the Devin: the choruses were those of the opera.
My reasons could not be known to everybody, it was therefore easy to accuse me of foolish pride, and thus not irritate the jealousy of such as felt they would not have acted as I had done. The next day Jelyotte wrote me a note, in which he stated the success of my piece, and the pleasure it had afforded the king.
I suppressed the recitative of Jelyotte, and substituted my own, such as I had first composed it, and as it is now engraved; and this recitative a little after the French manner, I confess, drawled out, instead of pronounced by the actors, far from shocking the ears of any person, equally succeeded with the airs, and seemed in the judgment of the public to possess as much musical merit.
I said but little; Jelyotte had prepared everything; I was unwilling either to approve of or censure what he had done; and notwithstanding I had assumed the air of an old Roman, I was, in the midst of so many people, as bashful as a schoolboy. The next morning, the day of performance, I went to breakfast at the coffee-house 'du grand commun', where I found a great number of people.
The directors dared not suffer this horrid innovation to pass, lest it should shock the ears of persons who never judge for themselves. Another recitative was proposed by Francueil and Jelyotte, to which I consented; but refused at the same time to have anything to do with it myself.
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