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I found this of his the other day, and must needs close up my notes with it. The very notion of it was, in his time, a convention; a series of sonnets bound together by an argument; a Vita nova without its overmastering occasion. Simonetta was dead; whereupon "tutti i fiorentini ingegni, come si conviene in si pubblica jattura, diversamente ed avversamente si dolsono, chi in versi, chi in prosa."
After the Greeks, Dante, who may have drawn lo bello stile from Virgil, but hardly his great notes, as of a bell, carried on the tradition of directness and naked strength. But Petrarch, and after him all Tuscany, dallied with light thinking, and beat all the images of Love's treasury into thin conventions. Pero, what gentlemen they were, these "ingegni fiorentini," these Tuscan wits!
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