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On leaving Hennequin, Victor sought the spadassin at the club of which they were both members, and contrived, without reference to Hennequin, to pick a quarrel with him. A challenge ensued; a duel with swords took place the next morning. De Mauleon disarmed and wounded his antagonist, not gravely, but sufficiently to terminate the encounter.

These writers not only discussed musical subjects, but judged painting, literature, and philosophy, from a Wagnerian point of view. Hennequin compared the philosophic systems of Herbert Spencer and Wagner.

A few great masses of stalagmite rose from the floor, and there were some columns of the same material. On returning from the cavern, nothing would do but we must breakfast with the jefe, which we did, in state, though at our usual boarding-house. The three great industries about Tekax are sugar, hennequín, and liquor.

The frigid accost of Hennequin more especially galled him; it wounded not only his pride but his heart; it had the venom of ingratitude, and it is the peculiar privilege of ingratitude to wound hearts that have learned to harden themselves to the hate or contempt of men to whom no services have been rendered.

In some private affair concerning his property, De Mauleon had had occasion to consult Hennequin, then a rising young avocat. Out of that consultation a friendship had sprung up, despite the differing habits and social grades of the two men. One day, calling on Hennequin, he found him in a state of great nervous excitement.

"Allow me, Monsieur Hennequin," said Enguerrand, interposing, and wishing good-naturedly to save De Mauleon the awkwardness of introducing himself, "allow me to reintroduce you to my kinsman, whom the lapse of years may well excuse you for forgetting, the Vicomte de Mauleon." Still the Prefet did not accept the hand.

That same day De Mauleon remitted to Hennequin an apology for heated words freely retracted, which satisfied all his friends. For the service thus rendered by De Mauleon, Hennequin declared himself everlastingly indebted. In fact, he entirely owed to that friend his life, his marriage, his honour, his career.

And a curious historical witness of its world-wide influence and momentary supremacy over all other arts was the founding of the Revue Wagnérienne, where, united by the same artistic devotion, were found writers and poets such as Verlaine, Mallarmé, Swinburne, Villiers de l'Isle Adam, Huysmans, Richepin, Catulle Mendès, Édouard Rod, Stuart Merrill, Ephraim Mikhaël, etc., and painters like Fantin-Latour, Jacques Blanche, Odilon Redon; and critics like Teodor de Wyzewa, H.S. Chamberlain, Hennequin, Camille Benoît, A. Ernst, de Fourcaud, Wilder, E. Schuré, Soubies, Malherbe, Gabriel Mourey, etc.

The painter, who, as a rule, spoke so sparingly of his works, waxed eloquent on the subject of this one. At an encouraging gesture from the citoyenne Rochemaure, who lifted her quizzing-glasses in token of attention, he continued: "Hennequin has depicted the madness of Orestes in masterly fashion. But Orestes appeals to us still more poignantly in his sorrow than when he is distraught.

The avocat had received a public insult in the salon of a noble, to whom De Mauleon had introduced him, from a man who pretended to the hand of a young lady to whom Hennequin was attached, and indeed almost affianced. The man was a notorious spadassin, a duellist little less renowned for skill in all weapons than De Mauleon himself.