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He would destroy it. He looked round, and saw the knife that had stabbed Basil Hallward. He had cleaned it many times, till there was no stain left upon it. It was bright, and glistened. As it had killed the painter, so it would kill the painter's work, and all that that meant. It would kill the past, and when that was dead he would be free.

"Don't you like it?" cried Hallward at last, stung a little by the lad's silence, not understanding what it meant. "Of course he likes it," said Lord Henry. "Who wouldn't like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian's, of course," answered the painter.

He sat down, and began to think. Every year every month, almost men were strangled in England for what he had done. There had been a madness of murder in the air. Some red star had come too close to the earth.... And yet what evidence was there against him? Basil Hallward had left the house at eleven. No one had seen him come in again. Most of the servants were at Selby Royal.

Campbell is out of town, get his address." As soon as he was alone, he lit a cigarette, and began sketching upon a piece of paper, drawing first flowers, and bits of architecture, and then human faces. Suddenly he remarked that every face that he drew seemed to have a fantastic likeness to Basil Hallward. He frowned, and, getting up, went over to the bookcase and took out a volume at hazard.

He had taken the flower out of his coat, and was smelling it, or pretending to do so. "What does this mean?" cried Hallward, at last. His own voice sounded shrill and curious in his ears. "Years ago, when I was a boy," said Dorian Gray, crushing the flower in his hand, "you met me, flattered me, and taught me to be vain of my good looks.

"Basil," he said, coming over quite close, and looking him straight in the face, "we have each of us a secret. Let me know yours, and I will tell you mine. What was your reason for refusing to exhibit my picture?" Hallward shuddered in spite of himself. "Dorian, if I told you, you might like me less than you do, and you would certainly laugh at me.

The boyish beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them.

You have often told me that you liked your sitters to have someone to chat to." Hallward bit his lip. "If Dorian wishes it, of course you must stay. Dorian's whims are laws to everybody, except himself." Lord Henry took up his hat and gloves. "You are very pressing, Basil, but I am afraid I must go. I have promised to meet a man at the Orleans. Good-bye, Mr. Gray.

He looked round, and saw the knife that had stabbed Basil Hallward. He had cleaned it many times, till there was no stain left upon it. It was bright, and glistened. As it had killed the painter, so it would kill the painter's work, and all that that meant. It would kill the past, and when that was dead he would be free.

He pictured to himself with silent amusement the tedious luncheon that he had missed by staying so long with Basil Hallward. Had he gone to his aunt's, he would have been sure to have met Lord Goodbody there, and the whole conversation would have been about the feeding of the poor and the necessity for model lodging-houses.