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A much better master than Morzone was Guerriero, a painter of Padua, who, besides many other works, painted the principal chapel of the Eremite Friars of S. Augustine in Padua, and a chapel for the same friars in the first cloister. He also painted a little chapel in the house of the Urban Prefect, and the Hall of the Roman Emperors, where the students go to dance at the time of the Carnival. He also painted in fresco, in the Chapel of the Podest
I suspect there must have been somewhere "un guerriero qualunque" so constructed that his head could be cut off, and that he had been disguised as and substituted for the Duca d'Avilla when Ferrau appeared to kill that warrior, for, without trickery, no sword in the teatrino, not even la Durlindana, could have cut off a head which had an iron rod running through it.
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