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When Plautus is at his best in the Aulularia, Bacchides, or Rudens, and most notably in the Captivi he has seldom been improved upon either in the interest of his action or in the copiousness and vivacity of his dialogue. Over and above his easy mastery of language, Plautus has a further Claim to distinction in the wide range of his manner.
Of a very different type is the piece which comes next the Amphrituo in acknowledged excellence, the Captivi. The development of the plot has won high praise from all critics, and justifies the boast of the epilogue, Huiusmodi paucas poetae reperiunt comoedias. But the praise which the author gives to his own piece
The popularity of Plautus was not confined to Rome, either republican or imperial. Dramatic writers of modern times, as Shakspeare, Dryden, and Moliere, have recognized the effectiveness of his plots, and have adopted or imitated them. About twenty of his plays are extant, among which the Captivi, the Epidicus, the Cistellaria, the Aulularia, and the Rudens are considered the best.
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