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Michelangelo, knowing that they were likely to do so, wrote to his brother Buonarroto on the 1st of February 1507: "I inform you further how on Friday morning I sent away Lapo and Lodovico, who were in my service. Lapo, because he is good for nothing and a rogue, and could not serve me.
Buonarroto must have paid a second visit to Rome; for we possess a letter from Lodovico to Michelangelo, under date December 19, 1500, which throws important light upon the latter's habits and designs. The old man begins by saying how happy he is to observe the love which Michelangelo bears his brothers. Then he speaks about the cloth-business which Michelangelo intends to purchase for them.
He says they are linen of his sisters, and I, not to witness what he does, or where he hides the stuff, have given him the key of the said sacristy this said evening." Upon July 2, 1528, Michael Angelo’s favourite brother, Buonarroto, died of the plague.
From a letter addressed to Lodovico under the date August 19, we learn that Buonarroto had just arrived in Rome, and informed his brother of certain pecuniary difficulties under which the family was labouring. Michelangelo gave advice, and promised to send all the money he could bring together.
Buonarroto remarks that "he feels pretty certain it will be all the same to Michelangelo whether he hears or does not hear about these matters. Yet, from time to time, when I have leisure, I scribble a few lines." Buonarroto himself was interested in this event; for, having been one of the Priors, he received from Leo the title of Count Palatine, with reversion to all his posterity.
Both refer to a small office which had been awarded to Michelangelo with the right to dispose of the patronage. He offered it to his favourite brother, Buonarroto, who does not seem to have thought it worth accepting. The documents for 1528 are almost as meagre. We do not possess a single letter, and the most important Ricordi relate to Buonarroto's death and the administration of his property.
From his domestic correspondence we find that he stayed there until at least the 13th of March 1517; but he seems to have gone to Florence just about that date, in order to arrange matters with Baccio d'Agnolo about the model. A fragmentary letter to Buonarroto, dated March 13, shows that he had begun a model of his own at Carrara, and that he no longer needed Baccio's assistance.
It also gives us a glimpse into Michelangelo's workshop at the moment when he was blocking out one of the bound Captives at the Louvre. It seems from what follows in the letter that Michelangelo had attempted to recover the money through his brother Buonarroto, but that Signorelli refused to acknowledge his debt. The Capitano wrote that he was sure it had been discharged.
He writes to Buonarroto on the 24th of July 1512: "I am suffering greater hardships than ever man endured, ill, and with overwhelming labour; still I put up with all in order to reach the desired end."
It is a note by Michael Angelo in the Buonarroto manuscripts of the British Museum, but undated. It is probably of October 1512, and marks the close of this period of enormous work.
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