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Ful fetis was hir cloke, as I was war, Of smal coral aboute hir arm she bar A peire of bedes, gauded al with grene, And ther-on heng a broche of gold ful shene. Unfortunately, however, the bishop did notice; the registers are indeed full of those clothes of Madame Eglentyne's, and of the even more frivolous ones which she wore in the privacy of the house.
Each thread of the warp is caught by a loop, which in turn is fastened to a movable bar, and by means of this the worker is able to advance or withdraw the alternate threads for the casting of the broche or flute, which is the shuttle. Behind the veil of the warp sits the weaver tissier or tapissier with his supply of coloured thread; back of him is the cartoon he is copying.
Little is known of his earlier life, except that he studied for a time with Broche, the cathedral organist. His first opera, "La Fille Coupable," appeared in 1793, and was performed at Rouen with some success. In 1795 a second opera, "Rosalie et Myrza," was performed in the same city; after which he went to Paris, where he became acquainted with many prominent musicians, among them Cherubini.
Her expected guests arrived promptly, glowing with the light dry cold, some wearing furs because they became the season, others thin cloth jackets over their shirt-waists. One had bundled herself into a broché shawl and "run over" hatless.
Haute lisse and basse lisse are their French equivalents. They describe the two kinds of looms, the former signifying the loom which stands upright, or high; the latter indicating the loom which is extended horizontally or low. On the high loom, the instrument which holds the thread is called the broche, and on the low loom it is called the flute. The stitch produced by the two is the same.
For the winter she buys a broche shawl for $22.50, a gray fox muff for $8, a $5.50 white ribbed-silk hat, "which makes the villagers stare," and a plum-colored merino dress at $2 a yard, "which everybody admits to be the sweetest thing entirely;" and she wonders if her sisters "do not feel rather sad because they are married and can not have nice clothes."
Here the Saxon's rebuke was interrupted; for one of the servitors just then approaching Godrith's side with a spit, elegantly caparisoned with some score of plump larks, the unmannerly giant stretched out his arm within an inch of the Saxon's startled nose, and possessed himself of larks, broche, and all.
The white Surat silk, chaste, beautiful, delicious as that presentiment of shared happiness which fills a young girl's mind when her fancy awakens in the soft spring sunlight; the white faille with tulle and garlands of white lilac, delicate and only as sensuous as the first meetings of sweethearts, when the may is white in the air and the lilac is in bloom on the lawn; trains of blue sapphire broché looped with blue ostrich feathers, seductive and artificial as a boudoir plunged in a dream of Ess. bouquet; dove-coloured velvet trains adorned with tulips and tied with bows of brown and pink temperate as the love that endures when the fiery day of passion has gone down; bodices and trains of daffodil silk, embroidered with shaded maple-leaves, impure as lamp-lit and patchouli-scented couches; trains of white velouture festooned with tulle; trails of snowdrops, icy as lips that have been bought, and cold as a life that lives in a name.
She only knew that she was very happy, and very impatient to be gone, and when at last she did go it seemed to her an age ere Worcester was reached. Resolutely turning her head away, lest she should see the scene of her disaster when last in that city, she walked up and down the ladies' room, her satin hood and heavy broché shawl, on that warm July morning, attracting much attention.
In the Eighteenth Century the Gobelins took the fleur-de-lis of Paris, and its own initial letter G. The modern Gobelins' marks combined the G with an implement of the craft, a broche and a straying thread. In Italy, in the middle of the Sixteenth Century, we find the able Flemings, Nicholas Karcher and John Rost, using their personal marks after the manner of their country.
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