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I suspect that the authors who all the way through see in her the loving spouse are expressing their own complexes, their own unconscious wishes. Such an one as Bartsch for example cannot think otherwise of a woman than as unfolding lovingly to the man.
Pitré, vol. xii. p. 304, note; vol. xv. p. 154; "F. L. Españ." vol. ii. p. 51; De Gubernatis, "Usi Natal." p. 219, quoting Bézoles, "Le Baptême." Bartsch, vol. i. p. 46; Jahn, p. 89; Grimm, "Teut. Myth." p. 468; Simrock, p. 418.
Henderson, loc. cit.; Bartsch, vol. ii. p. 192; Pitré, vol. xv. pp. 154 note, 155; vol. xvii. p. 102, quoting Castelli, "Credenze ed usi"; Horace, "Ep. ad Pison," v. 340; Dorsa, p. 146; Wright, "Middle Ages," vol. i. p. 290; Garnett, p. 70; "Mélusine," vol. v. p. 90, quoting English authorities. Map, Dist. ii. c. 14, gives a story of babies killed by a witch. St.
Bartsch, vol. i. pp. 64, 89; vol. ii. p. 43; Kuhn, p. 195; Knoop, loc. cit.; Jahn, pp. 52, 71; Thorpe, vol. ii. p. 174; "Zeits. f. Volksk." vol. ii. loc. cit. W. Map, Dist. ii. c. 14; Brand, vol. ii. p. 8, note; Lady Wilde, vol. i. pp. 71, 73; Schleicher, p. 93; Tertullian, "Adv.
Die Poesie der Troubadours, 2nd edit., re-edited by K. Bartsch, Leipsic, 1883. K. Bartsch, Grundriss zur Geschichte der provenzalischen Literatur, Elberfeld, 1872. A new edition of this indispensable work is in preparation by Prof. A. Pillet of Breslau. The first part of the book contains a sketch of Provençal literature, and a list of manuscripts.
Bartsch, vol. i. p. 42; Sikes, p. 59, quoting from the "Cambrian Quarterly," vol. ii. p. 86; "Y Cymmrodor," vol. vi. p. 209; Arnason's "Icelandic Legends," cited in Kennedy, p. 89; Thorpe, vol. ii. p. 174, quoting Thiele, "Danmark's Folkesagn samlede." See also Keightley, p. 125. Fleury, p. 60; "Revue des Trad. Pop." vol. iii. p. 162. Cf.
Catalogues began to be published, and in 1797 Adam Bartsch, keeper of the prints in the library at Vienna, issued the well-known catalogue that bears his name in two octavo volumes. Since Bartsch's monumental work many students of the etchings have striven to sift the authentic from the false. Needless to say, they disagree. Here are the figures:
My knowledge of troubadours, trouvères, and minnesingers is obtained mainly from the great collections of Raynouard, Wackernagel, Mätzner, Bartsch, and Von der Hagen, and from Bartsch's and Simrock's editions and versions of Gottfried von Strassburg, Hartmann von Aue, and Wolfram von Eschenbach.
He is said to have engraved both on wood and copper himself, but Bartsch considers all the prints attributed to him as spurious, though a few of them are signed with his name, only eight of which he describes.
His daughter, Susanna, the wife of Jacob Bartsch, a physician who had helped Kepler with his Ephemeris, lost her husband soon after her father's death, and succeeded in obtaining part of Kepler's arrears of salary by threatening to keep Tycho's manuscripts, but her stepmother was left almost penniless with five young children.
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