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The bride and bridegroom are first placed under a puntel, a kind of bower, covered with leaves, in front of the house. This is superbly adorned. The married women then come forward, and perform the ceremony called arati, which is as follows. Upon a plate of copper, they place a lamp made of a paste from rice flour. It is supplied with oil, and lighted.
Then they performed arati about the child's head, to avert the Evil Eye, describing mystic circles with lamps of rice-paste set on copper salvers, with many pious incantations. But, spite of all, the Evil Eye overtook Chinna Tumbe, when the pleasant peddler came all the way from Cabool, with his bushy-tailed kitten, and his mungooz cracking nuts.
They consider that even the gods themselves are not out of the reach of malicious eyes; and therefore after they have been carried through the streets, the ceremony of arati is always performed, to efface the evil which they may have suffered from these looks. It ought to have been mentioned, that before any thing is done, they place an image of Pullian under the puntel.
The procession moves slowly; and their friends and relations come out of their houses, as they pass; the women hailing the married couple with the ceremony of arati, and the men with presents of silver, fruits, sugar, and betel. I once witnessed one of these marriage processions in the streets of Madras at night, but can give you but little idea of its magnificence.
After arati and many other ceremonies are performed, the kankanan, which is merely a bit of saffron, is tied to the right wrist of the young man, and to the left wrist of the girl. This is done with great solemnity. Another remarkable ceremony succeeds this. The young man being seated with his face towards the east, his future father-in-law supposes that he beholds in him the great Vrishnoo.
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