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Admeto was received with respect, and although the partisans of the "rival queens" were noisy in their applause, no actual disturbance took place until Admeto was followed by Buononcini's Astyanax on May 6. On the first night of the new opera each side did its best to drown the opposite party's favourite with a chorus of catcalls. Five days later George I died suddenly at Osnabruck.

"I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better than ballads." Faustina "the most agreeable creature in the world in company" dined with Mrs. Pendarves for a small musical party on January 26. On the previous day there was the first rehearsal of Handel's Admeto.

It was the moment, says Burney, of Handel's greatest prosperity and English patronage. Admeto exhibited conspicuously what Dr. Burney called Handel's "science "; it was evidently considered to be complicated in style, though at the same time both pathetic and passionate.

For the following winter some changes were made in the cast. Senesino and Strada were of course indispensable, and the most important new acquisition was Montagnana, the bass, for whom Handel was to write some of his most celebrated songs. After revivals of Tamerlano and Admeto, Handel brought out Ezio on January 15, 1732; it had only five performances.

In the course of eight years twelve operas were produced in rapid succession: "Floridante," December 9, 1721; "Ottone," January 12, 1723; "Flavio" and "Giulio Cesare," 1723; "Tamerlano," 1724; "Rodelinda," 1725; "Scipione," 1726; "Alessandro," 1726; "Admeto," 727; "Siroe," 1728; and "Tolommeo," 1728.

The directors are always squabbling, and they have so many divisions among themselves that I wonder they have not broke up before; Senesino goes away next winter, and I believe Faustina, so you see harmony is almost out of fashion."Admeto was revived on June 1, 1728; this was Faustina's last appearance, and the last night of the Royal Academy of Music.